In light of public health advisories on social distancing, this performance has been canceled.
The University of Washington Modern Music Ensemble, Cristina Valdés, director, performs works by UW composers, including music by faculty composer Yiğit Kolat as well as works by UW Composition students.
DIRECTOR AND COMPOSER BIOS
Considered one of today’s foremost interpreters of contemporary music, Cristina Valdés is known for presenting innovative concerts with repertoire ranging from Bach to Xenakis. She has performed across four continents and in venues such as Lincoln Center, Le Poisson Rouge, Miller Theatre, Jordan Hall, and the Kennedy Center. Ms. Valdés has appeared both as a soloist and chamber musician at festivals worldwide including New Music in Miami, the Foro Internacional de Musica Nueva in Mexico City, Brisbane Arts Festival, the Festival of Contemporary Music in El Salvador, Havana Contemporary Music Festival, and the Singapore Arts Festival.
An avid chamber musician and collaborator, Ms. Valdés has toured extensively with the Bang On a Can “All Stars”, and has performed with the Seattle Chamber Players, the Mabou Mines Theater Company, the Parsons Dance Company, and Antares. She has also been a featured performer on both the Seattle Symphony’s Chamber Series and [UNTITLED] concerts.
Cristina has appeared as concerto soloist with the Johns Hopkins Symphony Orchestra, the Binghamton Philharmonic, the Seattle Philharmonic, Philharmonia Northwest, the Eastman BroadBand, and the Stony Brook Symphony Orchestra. Most recently, she performed the piano solo part of the Ives 4th Symphony with the Seattle Symphony.
Cristina Valdés joined the faculty of the UW School of Music in Fall 2014 as an artist in residence in the keyboard program.
Yiğit Kolat’s music explores the liminal frontiers of musical activity and potentialities in processing extra-musical data as musical information. The complicated political and social environment of his native Turkey is a recurring theme in his diverse output, which includes acoustic, electro-acoustic, and electronic works written for orchestra, chamber ensembles, voice, and solo instruments.
His works, described as “touching and convincing...a multi-sensory universe,” (K. Saariaho) have been recognized by a prestigious array of international organizations, including the Bogliasco Foundation (2016 Edward T. Cone Bogliasco Fellow in Music), the Tōru Takemitsu Composition Award (1st Prize, 2015), the Queen Elisabeth Competition in Belgium (Finalist, 2013), and the Concours International de Composition Henri Dutilleux (2nd Prize, 2012).
His music has been featured throughout the United States, Europe, and Asia by leading ensembles and soloists, among them the Tokyo Philharmonic and Ryoko Aoki (Japan); Solistes de L’Orchestre de Tours, Donatienne Michel-Dansac, and Pascal Gallois (France); The Nieuw Ensemble, The Black Pencil Ensemble, and the Duo Mares (The Netherlands); Eric Wubbels, Jonathan Shames, the Talea Ensemble, and the Argento New Music Project (USA); the Presidential Symphony Orchestra of Turkey; Peter Sheppard-Skaerved and Aaron Shorr (Great Britain). His music has been broadcast by the Japan Broadcasting Corporation (NHK) and Turkish Radio Television (TRT).
Kolat earned his Doctorate of Musical Arts at the University of Washington, studying with Joël-François Durand.