Chamber Orchestra: "Study Session with a Soundtrack" with Sæunn Thorsteinsdóttir, cello

Friday, October 28, 2016 - 2:00pm
Odegaard Library; 4060 George Washington Lane Northeast, Seattle, WA 98195 - Google Map
FREE
Sæunn Thorsteinsdóttir
Sæunn Thorsteinsdóttir (Photo courtesy the artist)

The University Chamber Orchestra performs with UW faculty artists in this free series of 30-minute programs at Odegaard Library.

PROGRAM DETAILS:

Haydn: Symphony no. 13, mvt. 2: Adagio cantabile

Sinigaglia: Hora Mystica

Dvořák: Silent Woods


Faculty Artist Bio: Sæunn Thorsteinsdóttir, cello

“Riveting” (NYTimes) cellist, Sæunn Thorsteinsdóttir, has appeared as soloist with the Los Angeles Philharmonic, Toronto and Iceland Symphonies, among others, and her recital and chamber music performances have taken her across the US, Europe and Asia.  Following the release of her debut recording of Britten’s Suites for Solo Cello on Centaur Records, she has performed in some of the world’s greatest halls including Carnegie Hall, Suntory Hall and Disney Hall.  The press have described her as “charismatic” (NYTimes) and praised her performances for their “emotional intensity” (LATimes).

Highlights of the 2016-2017 season include the premiere of a new concerto written for Sæunn by Páll Ragnar Pálsson, co-commissioned by the NDR Elbphilharmonie Orchester and the Los Angeles Philharmonic, as well appearances at the Seattle Chamber Music Society and Iceland Symphony’s Friday Series. In addition to having collaborated closely with Daníel Bjarnason on his award-winning composition “Bow to String”, this season she is working with composers Halldór Smárason, Melia Watras, and Þuríður Jónsdóttir on new pieces for solo cello.

An avid chamber musician, she has collaborated in performance with Itzhak Perlman, Mitsuko Uchida, Richard Goode and members of the Emerson, Guarneri and Cavani Quartets and has participated in numerous chamber music festivals, including Prussia Cove and Marlboro, with whom she has toured.  Sæunn is cellist of the Seattle-based chamber music group, Frequency, and cellist, founding member, and co-Artistic Director of Decoda, The Affiliate Ensemble of Carnegie Hall.  

In the fall of 2015, Sæunn joined the faculty of the University of Washington in Seattle, teaching cello and chamber music.  From 2013-2015, Sæunn was Artist-in-Residence at the Green Music Center’s Weill Hall in Sonoma, California, presenting concerts, masterclasses, lectures and informal discussions at Sonoma State University.

Sæunn has garnered numerous top prizes in international competitions, including the Naumburg Competition in New York and the Antonio Janigro Competition in Zagreb, Croatia. She received a Bachelor of Music from the Cleveland Institute of Music, a Master of Music from The Juilliard School and a Doctorate of Musical Arts from SUNY Stony Brook. Her principal teachers include Richard Aaron, Tanya L. Carey, Colin Carr and Joel Krosnick.

 Sæunn is an alum of Ensemble ACJW (now known as Ensemble Connect)— a program of Carnegie Hall, The Juilliard School, and the Weill Music Institute in partnership with the New York City Department of Education—performing chamber music at Carnegie Hall and bringing classical music to students in the New York City Public Schools.

Born in Reykjavik, Iceland, Sæunn first moved to the states as a child, however, she still has family in Iceland and enjoys going back, both for concerts and family visits.


Director Bio: David Alexander Rahbee

David Alexander Rahbee is currently Senior Artist in Residence at the University of Washington School of Music in Seattle, where he is director of orchestral activities and teaches conducting. He is recipient of the American-Austrian Foundation's 2003 Herbert von Karajan Fellowship for Young Conductors, the 2005 International Richard-Wagner-Verband Stipend, and the Acanthes Centre in Paris in 2007.

Dr. Rahbee has appeared in concert with orchestras such as the RTE National Symphony Orchestra of Ireland, Orchestre Philharmonique du Luxembourg, Kammerphilharmonie Berlin-Brandenburg, Orchestre de la Francophonie, Orchesterakademie der Bochumer Symphoniker, the Dresden Hochschule orchestra, Grand Harmonie, the Boston New Music Initiative, Orquesta Sinfónica de Loja (Ecuador), Armenian Philharmonic Orchestra, Savaria Symphony Orchestra (Hungary), Seattle Modern Orchestra, Cool Opera of Norway (members of the Stavanger Symphony), Schönbrunner Schloss Orchester (Vienna), the Whatcom Symphony Orchestra, the Kennett Symphony, and the Divertimento Ensemble of Milan. He collaborated twice with the Seattle Symphony in 2015, as off-stage conductor for Ives’ Fourth Symphony (recorded live), and as guest conductor for their Native Lands project. He has collaborated with several prominent soloists such as violinists Sarah Chang, David Chan (concertmaster of MET opera orchestra), and Joseph Lin (Juilliard String Quartet). He has been been a guest rehearsal conductor for numerous young orchestras, such as the New England Conservatory Symphony Orchestra, The Symphony Orchestras of the Hall-Musco Conservatory of Music at Chapman University, and the Vienna University of Technology orchestra, the Boston Youth Symphony Orchestras (BYSO), and Rhode Island Philharmonic Youth Orchestras (RIPYO). He has also served of faculty of the Pierre Monteux School as Conducting Associate, and has been resident conductor of the Atlantic Music Festival in Maine.

Dr. Rahbee was an assistant at the Vienna State opera from 2002-2010. As part of his fellowship and residency at the 2003 Salzburg Festival, Dr. Rahbee was assistant conductor of the International Attergau Institute Orchestra, where he worked with members of the Vienna Philharmonic. He has been selected to actively participate in masterclasses with prominent conductors such as Kurt Masur, Sir Colin Davis, Jorma Panula, Zdeněk Mácal, Peter Eötvös, Zoltán Peskó, and Helmut Rilling, and counts Nikolaus Harnoncourt to be among his most influential mentors. From 1997-2001, David Rahbee was conductor of the Fidelio Chamber Orchestra in Cambridge, Massachusetts, selecting its talented young members from Harvard University, the New England Conservatory, and Boston University. From 1997 to 2000, he served as assistant conductor of the Atlantic Symphony Orchestra (formerly known as the Hingham Symphony) in Massachusetts.  

Dr. Rahbeeʼs principal conducting teachers were Charles Bruck and Michael Jinbo at the Pierre Monteux School.  He holds a Bachelor of Music degree in violin and composition from Indiana University, a Master of Music degree from the New England Conservatory in orchestral conducting, and a Doctorate of Musical Arts from the University of Montreal in orchestral conducting.  He has also participated in post-graduate conducting classes at the Universität für Musik und Darstellende Kunst, Vienna. His arrangements for brass are published by Warwick Music, England, and his articles on the music of Gustav Mahler have appeared in journals of the International Gustav Mahler Gesellschaft, among others. Dr. Rahbee’s was a semi-finalist in the American Prize for Conducting, in the category of Orchestral Programming at the university level for the 2013-14 school year.