Talks
Talks
Past Events
- THEME Lecture Series: Frank Lehman (Tufts University) -
- Book Launch Celebration: Frederick Reece, Forgery in Musical Composition -
- THEME Lecture Series: James O. Young (University of Victoria) -
- THEME Lecture Series: Lisa Barg (McGill University) -
- Visiting Scholar Lecture: Abigail Fine: Preservation Mania: Composers, Relics, and the “Beautiful Death” -
- THEME Lecture Series: Jessica Bissett Perea (University of Washington) -
- THEME Lecture: Sean Robert Powell (University of North Texas) -
- THEME Lecture Series: Joseph Keola Donaghy, "Mele on the Mauna" -
- Workshop: Kris Davis, piano -
- Perspectives on Native American Flutes -
- CompLab: Lecture-Recital, Zarębski Piano Duo -
- External Event: Panel Discussion, Taiko’s Core Values: Beyond Roots -
- CompLab: Steven Mackey and Garrett Arney -
- THEME Lecture: John-Carlos Perea, University of Washington -
- Garrick Ohlsson Residency: Panel Discussion -
- Guest Artist Residency: Garrick Ohlsson, piano -
- THEME Lecture: Mark Burford, Reed College -
- External Event: Round Table Discussion on Participatory Arts -
- THEME Lecture: Juan Diego Diaz, University of California, Davis -
- THEME Lecture: Christopher Roberts, University of Washington -
- THEME Lecture: Jennifer Iverson, University of Chicago -
- Capstone Lecture: Peter Nicolas, Harmonizing Music & Law -
- Guest Scholar Lecture: Joy Calico: Spatial Dramaturgy in Recent Opera -
- Composer Talk: Sheila Silver, A Thousand Splendid Suns -
- THEME lecture: James Currie, Melanie Lowe, Frederick Reece: "Forgery In Musical Composition" -
- THEME lecture series: Sarah Bartolome, Northwestern University: "From Idea Incubation to Implementation: The Trauma, Music, and the Breath Initiative" -
- Ask an Alum: Discussion and Q and A with Tigran Arakelyan, conductor -
- THEME lecture series: Charles Kronengold, Stanford University, "The Chaka Khanplex, 1977–1983" -
- Guest Artist Interview: Morris Robinson, bass -
- THEME lecture series: Orit Hilewicz, "Berio's Compositional Poetics as Performance" -
- THEME lecture series: Gabriel Solis, "Revisiting the Heterogeneous Sound Ideal: Timbre and Narratives of Global Music History" -
- Closing Lecture: Patricia Shehan Campbell, Music Education in the Public Sphere: Past Glances and Future Forecasts -
- Spring Talks in Music History: Lester Hu, UC Berkeley: "Fengshui to Fa Sol Ut: the Fortuitous History of European Music in Seventeenth Century China" -
- Guest Scholar Lecture: Dr. Naomi André, Black Opera in America: Past, Present, and Future -
- Spring Talks in Music History: Cesar Favila, UCLA: "Resounding Virginity in New Spanish Convent Sources" -
- Creative Resonance: Bonnie Whiting, "Re-imagining Performance: Musical Connection in a Time of Social Distance" -
- Creative Resonance: Robin McCabe, “Frederick Chopin and the Piano" -
- Creative Resonance: Anne Searcy: “Understanding the Dance of Hamilton" -
- CANCELED: CompLab Colloquium: Juan Pampin -
- CANCELED: CompLab Colloquium: Joël-François Durand -
- James C. Carlsen Lecture: Alexandra Kertz-Weizel -
- CompLab Colloquium: Pierre Alexandre Tremblay -
- CompLab Colloquium: Huck Hodge -
- THEME Lecture: Shannon Dudley: Bridging Campus and Community Through Participatory Arts -
- THEME Lecture: Catherine Appert: Diasporic Flows: Voicing Social Change in Hip Hop Time -
- THEME Lecture: Marie McCarthy: Storying a More Inclusive History of Music Education: An Imperative, a Challenge, a Promise. -
- THEME lecture: Elizabeth Wells: The Jewish Westside Story -
- Symposium: Performing Lyric Cultures: Visible and Invisible -
- THEME Lecture: John Roeder -
- THEME Lecture: James Morford and Aaron David -