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Faculty Recital: Craig Sheppard, piano; Sæunn Thorsteinsdóttir, cello

Tuesday, April 4, 2017 - 7:30pm
$20 ($10 students/seniors)
Saeunn Thorsteinsdottir and Craig Sheppard (photo: Steve Korn).
Faculty colleagues Saeunn Thorsteinsdottir and Craig Sheppard (photo: Steve Korn).

Faculty artists Craig Sheppard, piano, and Sæunn Thorsteinsdóttir, cello, perform works by Beethoven, Andrew Norman and César Franck.


Ludwig van Beethoven
Sonata in G Minor, Op. 5, #2
Sonata in C Major, Op. 102, #1

Andrew Norman: Sonnets for piano and cello,

César Franck: Sonata in A major


Artist Bios

Craig Sheppard, piano

Professor of Piano Craig Sheppard joined the faculty of the School of Music of the University of Washington in 1993 after living twenty years in London. Known for his ebullience and passion at the keyboard, allied to a technical mastery and deep commitment to both scholarly and historic perspectives, Sheppard continues to enjoy a highly successful international concert career that has spanned over forty years. He has made eleven trips to the Far East since 2002, giving master classes and performing in leading conservatories and universities in China, Japan, Korea, Taiwan and Singapore. He has made two trips to New Zealand, in 2007 and 2008, performing both books of Bach’s Well Tempered Clavier, and returns in September, 2012 to perform the first two books of Liszt’s Années de Pèlerinage.

In the April, 2011, issue of London’s International Record Review of Sheppard’s most recent CD release, The Last Three Piano Sonatas by Franz Schubert, Robert Matthew-Walker noted: ‘It was Hans Keller who said that All great artists are, by virtue of what they do, also great teachers, and those who have heard Sheppard’s recent recordings on the Romeo label – particularly the complete Beethoven sonatas and the Bach’s 48 Preludes and Fugues – will know the truth of that statement…The City of Seattle and the students at its University are indeed fortunate to have him in their midst.’ Bryce Morrison, in an earlier review of Sheppard’s traversal of the Beethoven sonatas in Gramophone magazine, said: ‘On record, there are few [performances] more piquantly characterized or, at their finest, more deeply sensitive to the darker recesses of Beethoven’s towering imagination’. Peter Cossé, Germany’s foremost piano critic, had this to say about Sheppard’s Bach: ‘Sheppard’s technique, in all its elasticity, confirms a musician who always puts these means at the service of the composer. Sheppard’s Bach is learned, and in every respect well informed as to performance practices of the day. Yet, he never forces his views on the listener, but rather gives the listener sufficient breathing space in which to store the memories.’ Following Sheppard’s appearance at the 2010 Minnesota Beethoven Festival, the reviewer exclaimed: ‘With the [solo] recitals of Yo-Yo Ma and Craig Sheppard, the festival is off to a great start!’ Sheppard’s recital debut at the Berlin Philharmonic, featuring the 24 Chopin Preludes and Bach’s Goldberg Variations, caused one critic to enthuse: ‘The pianist revealed himself as an intimate connoisseur of Bach’s soul.’

Craig Sheppard’s repertoire is eclectic, comprising forty-plus recital programs and over sixty concerti spanning all the major eras of Western music. An avid chamber music player, musicians he has collaborated with include Wynton Marsalis, José Carreras, Victoria de los Angeles, Irina Arkhipova, the Cleveland and Emerson string quartets, and many members of the younger generation, including James Ehnes, Stefan Jackiw, Richard O’Neill, Edward Aaron and Johannes Moser. In this country, he has soloed with the orchestras of Philadelphia, Boston, Chicago, Atlanta, Dallas, San Francisco, Rochester and Seattle among others. Conductors he has played with include Sir Georg Solti, Kurt Sanderling, James Levine, Michael Tilson Thomas, Aaron Copland, Yehudi Menuhin, Esa Pekka Salonen, David Zinman, and Leonard Slatkin. A champion of contemporary music, Sheppard gave the world première this past summer of Laura Kaminsky’s Horizon Lines at the Seattle Chamber Music Festival, and will give the world première this coming May for Music of Remembrance of a new commission by Jake Heggie on the life of the Polish dissident, Krystyna Zywylska.

A much sought after pedagogue, Sheppard’s students in both Europe and in the US have won numerous local, national and international competitions over the years. A number of former students hold positions at universities throughout the US, Europe and Asia. With his colleague, Dr. Robin McCabe, Sheppard is co-founder of theSeattle Summer Piano Instituteat the University of Washington, held every summer at the School of Music for a group of sixteen gifted young pianists from around the world.

Craig Sheppard’s CDs can be found on the Roméo, AT-Berlin, Philips, Sony, and Chandos labels. A voracious reader, he is known for his broad academic interests, particularly foreign languages.

Sæunn Thorsteinsdóttir, cello

“Riveting” (NYTimes) cellist, Sæunn Thorsteinsdóttir, has appeared as soloist with the Los Angeles Philharmonic, Toronto and Iceland Symphonies, among others, and her recital and chamber music performances have taken her across the US, Europe and Asia.  Following the release of her debut recording of Britten’s Suites for Solo Cello on Centaur Records, she has performed in some of the world’s greatest halls including Carnegie Hall, Suntory Hall and Disney Hall.  The press have described her as “charismatic” (NYTimes) and praised her performances for their “emotional intensity” (LATimes).

 An avid chamber musician, she has collaborated in performance with Itzhak Perlman, Mitsuko Uchida, Richard Goode and members of the Emerson, Guarneri and Cavani Quartets and has participated in numerous chamber music festivals, including Prussia Cove and Marlboro, with whom she has toured. She is cellist of the Manhattan Piano Trio and a founding member of Decoda; a group that seeks to revitalize the world of chamber music through refreshing concert experiences, creative education, and community engagement.

 Along with the masterpieces of the 18th, 19th and 20th century, Sæunn is constantly inspired by works composed in our time and enjoys working with living composers. In addition to working closely with Daníel Bjarnason on his award-winning composition “Bow to String”, she has premiered dozens of works, including new pieces by Peter Schikele, Paul Schoenfield, Kendall Briggs and Jane Antonia Cornish.

Sæunn has garnered numerous top prizes in international competitions, including the Naumburg Competition in New York and the Antonio Janigro Competition in Zagreb, Croatia. She received a Bachelor of Music from the Cleveland Institute of Music, a Master of Music from The Juilliard School and a Doctorate of Musical Arts from SUNY Stony Brook. Her principal teachers include Richard Aaron, Tanya L. Carey, Colin Carr and Joel Krosnick.

 Sæunn was a fellow of Ensemble ACJW—The Academy, a program of Carnegie Hall, The Juilliard School, and the Weill Music Institute in partnership with the New York City Department of Education—performing chamber music at Carnegie Hall and bringing classical music to students in the New York City Public Schools.

 Born in Reykjavik, Iceland, Sæunn first moved to the states as a child however, she still has family in Iceland and enjoys going back, both for concerts and family visits.