Intersections: Music, Words, and Pictures; Pre-Concert Lecture: Emeritus Professor Ronald Moore

Sunday, May 6, 2018 - 4:00pm
FREE
Professor Robin McCabe produces the Intersections series (photo: Steve Korn).
Professor Robin McCabe produces the Intersections series (photo: Steve Korn).

Piano Professor Robin McCabe produces this quarterly series highlighting inspired intersections in the arts. Each performance, featuring top UW music students and special guests, includes a pre-concert lecture by a UW faculty scholar. The May 6 program includes a pre-concert lecture, "The Line of Thought: Lyrical Power in Words, Music, and Painting," by Ronald Moore, Professor Emeritus, Philosophy, and UW music students performing works by Liszt and Prokofiev. 

Lecture: 4 pm: Ronald Moore, Professor Emeritus, Philosophy
The Line of Thought: Lyrical Power in Words, Music, and Painting 
Concert: 4:30 pm   


Program

 

from EVOCACIONES (Suite for Solo Guitar) ..................................................... Antón Garcia Abril (b. 1933)

II. on “Las Seis Cerdas”

III. on “Canta, pajáro lejano”

Lucas Victor, guitar

 

“Chant de Linos” ............................................................................................... Andre Jolivet (1905-1974)

Natalie Ham, flute / Steven Damouni, piano

 

from GITANJALI ................................................................................... John Alden Carpenter (1875-1951)

“When I bring to you colour’d toys” (texts & translations by Rabindranath Tagore, 1861-1941)

“The Sleep that Flits on baby’s eyes”

“On the seashore of endless worlds”

Gemma Balinban, soprano / Colleen Kennedy, piano

 

I N T E RMI S S I ON

from YEARS OF PILGRIMAGE: “Vallée d’Obermann” ............................................. Franz Liszt (1811-1886)

Yimo Zhang, piano

 

from the ballet ROMEO AND JULIET, Opus 64:............................................ Sergei Prokofiev (1891-1953)

Introduction (arranged by Vadim Borisovsky, 1900-1972)

Arrival of the Guests

Dance of the Knights

Balcony Scene

The Death of Juliet

Vijay Chalasani, viola / Steven Damouni, piano

Celebrated American pianist Robin McCabe has established herself as one of America’s most communicative and persuasive artists. McCabe’s involvement and musical sensibilities have delighted audiences across the United States, Europe, Canada and in seven concert tours of the Far East. The United States Department of State sponsored her two South American tours, which were triumphs both artistically and diplomatically.

As noted by the New York Times, “What Ms. McCabe has that raises her playing to such a special level is a strong lyric instinct and confidence in its ability to reach and touch the listener.” The Tokyo Press declared her a “pianistic powerhouse,” and a reviewer in Prague declared, “Her musicianship is a magnet for the listener.” Richard Dyer, the eminent critic of the Boston Globe:  ‘Her brilliant, natural piano playing shows as much independence of mind as of fingers.”

Her recordings have received universal acclaim. Her debut album for Vanguard Records featured the premiere recording of Guido Agosti transcription of Stravinsky’s Firebird Suite. Critics praised it as “mightily impressive.” Stereo Review described her disc of Bartok as “all that we have come to expect from this artist, a first-rate performance!” She was commissioned to record four albums for the award-winning company Grammofon AB BIS in Stockholm, which remain distributed internationally, including the CD “Robin McCabe Plays Liszt,” (AB BIS No. 185).

McCabe, earned her bachelor of music degree summa cum laude at the University of Washington School of Music, where she studied with Béla Siki, and her master’s and doctorate degrees at the Juilliard School of Music, where she studied with Rudolf Firkusny. She joined the Juilliard faculty in 1978 then returned to the UW in 1987 to accept a position on the piano faculty. In 1994 McCabe was appointed Director of the School of Music, a position she held until 2009.  She has held a Ruth Sutton Waters Professorship and a Donald Petersen Professorship in the School of Music. In addition, McCabe is a dedicated arts ambassador and advocate for arts audience development, frequently addressing arts organizations across the country. With colleague Craig Sheppard, she has launched the highly successful Seattle Piano Institute, an intense summer “immersion experience” for gifted and aspiring classical pianists that enjoyed its sixth session in 2015. Also In 2015, McCabe performed and recorded the complete cycle of Beethoven’s ten sonatas for violin and piano, with colleague Maria Larionoff.

The winner of numerous prizes and awards, including the International Concert Artists Guild Competition and a Rockefeller Foundation grant, McCabe was the subject of a lengthy New Yorker magazine profile, “Pianist’s Progress,” later expanded into a book of the same title. 

In 1995 McCabe presented the annual faculty lecture — a concert with commentary — at the University of Washington. She is the first professor of music in the history of the University to be awarded this lectureship. Seattle magazine selected McCabe as one of 17 current and past University of Washington professors who have had an impact on life in the Pacific Northwest. In 2005, to celebrate its 100th year as an institution, The Juilliard School selected McCabe as one of 100 alumni from 20,000 currently living to be profiled in its centenary publication recognizing distinction and accomplishments in the international world of music, dance, and theater. Today she is a highly- sought teacher at the University of Washington, with students from around the world seeking admission to her studio.

McCabe performs regularly throughout the United States, and in September of 2011 she made her first visit to South Korea. In October of 2015 McCabe gave solo recitals in Beijing, and master classes at the International Beijing Piano Festival.   She appears often as an invited jurist for international piano competitions, most recently in New Orleans, San Antonio, and Vancouver, Canada.  In June of 2016 she is invited to serve on the jury of the Gina Bachauer International Piano Competition.

Vijay Chalasani, viola

Violist Vijay Chalasani is a Seattle-based performer, scholar, and teaching-artist whose work focuses on the performance practice of music of the last five centuries. Equally at home on both modern and historical violas, Chalasani was featured as a soloist in performances ranging from the Walton Viola Concerto, Mozart Sinfonia Concertante, and Hoffmeister Viola Concerto with modern orchestras, to Bach’s 6th Brandenburg concerto, the Telemann Viola Concerto, and the Telemann Concerto for Two Violettas with period orchestras. An avid advocate for contemporary music, Chalasani was the soloist in the US premiere of Vinko Globokar’s chamber-theater piece “Blinde Zeit” with members of the Callithumpian Consort, supervised by the composer. He has also performed with violist-composer Garth Knox, pianist-conductor Stephen Drury, and the Inverted Space Ensemble, coached with composer Brian Ferneyhough (on his “Adagissimo” for string quartet), and has collaborated with the Guerrilla Composers Guild and others to actively commission new works for the viola. Chalasani performs frequently on period instruments with ensembles such as the American Bach Soloists, Pacific MusicWorks, Early Music Vancouver, and the Albany Consort, as well as in chamber music performances of works from the classical and romantic eras on historical instruments. 

Chalasani currently studies in the Doctor of Musical Arts program at the University of Washington, where he studies viola with Melia Watras; as a Teaching Assistant at the UW, he works with the Modern Music Ensemble and Baroque Ensemble, and teaches Chamber Music Lab and String Techniques. Chalasani’s graduate studies were at the San Francisco Conservatory of Music, where he studied with Don Ehrlich (modern viola), Elizabeth Blumenstock (baroque viola), and the late Mark Sokol (chamber music). His undergraduate studies were at CSU Sacramento, where he studied viola with Anna Kruger, chamber music with Ian Swensen and Andrew Luchansky, and pedagogy with Judy Bossuat. In addition to the concert stage, Chalasani often performs in less traditional venues such as bars, cafes, and house concerts, and has appeared in cross-genre performances with a wide range of artists including rock band Third Eye Blind, hip-hop orchestra Jazz Mafia, and indie-folk group Americana Orchestra.