David Alexander Rahbee leads the University of Washington Symphony Orchestra in a program of music by Tchaikovsky, Beethoven, and Debussy. Guest pianist Yekwon Sunwoo, winner of the Fifteenth Van Cliburn International Piano Competition, performs with the orchestra on Tchaikovsky’s Piano Concert No. 1 in B-flat minor, Op. 23. Yekwon Sunwoo’s appearance is presented in collaboration with Meany Center for the Performing Arts. Also on the program: Debussy’s Afternoon of a Faune and Beethoven’s Symphony No. 6 in F major, Op. 68, "Pastorale.”
Tchaikovsky: Piano Concerto No.1, in B-flat minor, Op.23
Yekwon Sunwoo, piano
Beethoven: Symphony No. 6 in F major, Op.68, Pastorale
Debussy: Afternoon of a Faune
Gabriela Garza, conductor
Gold medalist of the Fifteenth Van Cliburn International Piano Competition, 28-year-old pianist Yekwon Sunwoo has been hailed for “his total command over the instrument and its expressiveness” (San Francisco Examiner). A powerful and virtuosic performer, he also, in his own words, “strives to reach for the truth and pure beauty in music,” and hopes to convey those fundamental emotions to audiences.
Born in Anyang, South Korea, Mr. Sunwoo began learning piano at age 8. He gave both his recital and orchestra debuts in 2004 in Seoul before moving to the United States in 2005 to study with Seymour Lipkin at the Curtis Institute of Music. He earned his bachelor’s degree there, his master’s at The Juilliard School with Robert McDonald, and his artist diploma at the Mannes School of Music with Richard Goode. He currently studies under Bernd Goetzke in Hannover. Mr. Sunwoo credits each for their guidance in his artistic development and approach, and honored the late Mr. Lipkin by performing his cadenza during his Semifinal Round performance of the Mozart Piano Concerto in C Major, K. 467.
The first Korean to win Cliburn gold, Mr. Sunwoo launched his debut season in 2017–2018 with invitations to the Aspen, Grand Teton, and Duszniki International Music Festivals. Recitals will take him to Chicago, Houston, Los Angeles, and Vancouver, and he undertakes a nine-city tour of the United States with the National Orchestra of Cuba in the spring. In Europe, Mr. Sunwoo makes his United Kingdom concerto debut with the Royal Scottish National Orchestra under Cristian Macelaru, appears in the first full season at the Elbphilharmonie in Hamburg, and performs in Brussels, Copenhagen, Istanbul, Madrid, Helsingborg, and across Germany. His appearances in Asia include those in Beirut, Taiwan, Hong Kong, and across South Korea.
Record label Decca Gold released Cliburn Gold 2017 two weeks after his Cliburn win, which includes his award-winning performances of Ravel’s La valse and Rachmaninoff’s Second Piano Sonata.
In previous seasons, Mr. Sunwoo has performed as soloist with the Baltimore Symphony Orchestra under Marin Alsop, The Juilliard Orchestra with Itzhak Perlman at Avery Fisher Hall, Houston Symphony Orchestra with James Feddeck, Fort Worth Symphony Orchestra with Leonard Slatkin and Nicholas McGegan, National Orchestra of Belgium, Sendai Philharmonic Orchestra, and others. He has appeared in recital in Hamarikyu Asahi Hall in Tokyo, Weill Recital Hall at Carnegie Hall, Wigmore Hall in London, Radio France and Salle Cortot in Paris, Kumho Art Hall in Seoul, and throughout South Korea, Germany, Switzerland, Prague, and Morocco.
An avid chamber musician, his partners have included the Jerusalem and Brentano String Quartets, violinists Benjamin Beilman and Ida Kafavian, cellists Edgar Moreau, Gary Hoffman, and Peter Wiley, and pianist Anne-Marie McDermott. He has toured Costa Rica, Guatemala, and Panama with the Kumho Asiana Cultural Foundation, performed for the Chamber Music Society of Lincoln Center’s Inside Chamber Music Lectures, and been invited to the Summit Music, Bowdowin International, and Toronto Summer Music Festivals.
In addition to the Cliburn gold medal, Mr. Sunwoo has won first prizes at the 2015 International German Piano Award in Frankfurt, the 2014 Vendome Prize held at the Verbier Festival, the 2013 Sendai International Music Competition, and the 2012 William Kapell International Piano Competition.
A self-proclaimed foodie, Mr. Sunwoo enjoys finding pho in each city he visits and takes pride in his own homemade Korean soups.
David Alexander Rahbee is currently Senior Artist in Residence at the University of Washington School of Music in Seattle, where he is Director of Orchestral Activities and Chair of Orchestral Conducting. He is Music Director and Conductor of the University of Washington Symphony Orchestra and founder of the UW Campus Philharmonia Orchestras. He is a recipient of the American-Austrian Foundation's 2003 Herbert von Karajan Fellowship for Young Conductors, the 2005 International Richard-Wagner-Verband Stipend, and a fellowship the Acanthes Centre in Paris in 2007.
Dr. Rahbee has appeared in concert with orchestras such as the Seattle Symphony, RTE National Symphony Orchestra of Ireland, Orchestre Philharmonique du Luxembourg, Kammerphilharmonie Berlin-Brandenburg, Guernsey Symphony Orchestra, Orchestre de la Francophonie, Orchesterakademie der Bochumer Symphoniker, the Dresden Hochschule orchestra, Grand Harmonie, the Boston New Music Initiative, Seattle Modern Orchestra, Orquesta Sinfónica de Loja (Ecuador), Armenian Philharmonic Orchestra, Savaria Symphony Orchestra (Hungary), Cool Opera of Norway (members of the Stavanger Symphony), Schönbrunner Schloss Orchester (Vienna), the Whatcom Symphony Orchestra, the Kennett Symphony, and the Divertimento Ensemble of Milan. He collaborated twice with the Seattle Symphony in 2015, assisting for the performance and recording of Ives’ Fourth Symphony, and as guest conductor for their Native Lands project. He has collaborated with several prominent soloists such as Sarah Chang, Jon Kimura Parker and Jonathan Biss. He has been a guest rehearsal conductor for numerous young orchestras, such as the New England Conservatory Symphony Orchestra, The Symphony Orchestra of the Hall-Musco Conservatory of Music at Chapman University, and the Vienna University of Technology orchestra, the Boston Youth Symphony Orchestras, and Rhode Island Philharmonic Youth Orchestras. He has served on faculty of the Pierre Monteux School as Conducting Associate, has been resident conductor of the Atlantic Music Festival in Maine and guest conductor at the Hawaii Performing Arts Festival.
Dr. Rahbee was an assistant at the Vienna State opera from 2002-2010. As part of his fellowship and residency at the 2003 Salzburg Festival, Dr. Rahbee was assistant conductor of the International Attergau Institute Orchestra, where he worked with members of the Vienna Philharmonic. He has been selected to actively participate in masterclasses with prominent conductors such as Kurt Masur, Sir Colin Davis, Jorma Panula, Zdeněk Mácal, Peter Eötvös, Zoltán Peskó and Helmut Rilling, and counts Nikolaus Harnoncourt to be among his most influential mentors. From 1997-2001, David Rahbee was conductor of the Fidelio Chamber Orchestra in Cambridge, Massachusetts, selecting its talented young members from Harvard University, the New England Conservatory, Boston University, The Boston Conservatory, and the Longy School. From 1997 to 2000, he served as assistant conductor of the Atlantic Symphony Orchestra (formerly known as the Hingham Symphony) in Massachusetts.
Dr. Rahbeeʼs principal conducting teachers were Charles Bruck and Michael Jinbo at the Pierre Monteux School. He holds a Bachelor of Music degree in violin and composition from Indiana University, a Master of Music degree from the New England Conservatory in orchestral conducting, and a Doctorate of Musical Arts from the University of Montreal in orchestral conducting. He has also participated in post-graduate conducting classes at the Universität für Musik und Darstellende Kunst, Vienna. His arrangements of various music for brass are published by Warwick Music, and his articles on the music of Gustav Mahler have appeared in journals of the International Gustav Mahler Gesellschaft, among others.
Dr. Rahbee has placed among finalists for The American Prize National Nonprofit Competitions in the Performing Arts in the category of Orchestral Programming four consecutive years, including 2nd place for the 2014-15 season of the UW Symphony, and 3rd place for the 2016-17 season. He also was awarded 2nd place in the category of Orchestral Conducting for the 2016-17 season. He is co-editor of Daniels’ Orchestral Music (6thedition) and Daniels’ Orchestral Music Online (DOMO), the gold standard among conductors, orchestral administrators, orchestral librarians as well as other music professionals and students researching for orchestral programming.
He is co-editor of Daniels’ Orchestral Music (6thedition) and Daniels’ Orchestal Music Online (DOMO), the gold standard among conductors, orchestral administrators, orchestral librarians as well as other music professionals and students reseaching for orchestral programming.
Gabriela Garza Canales is a Mexican conductor and percussionist living in the United States of America. Currently in her second year of doctoral studies at the University of Washington’s School of Music, Ms. Garza studies under the mentorship of David Alexander Rahbee and Ludovic Morlot. She is co-conductor of the UW Campus Philharmonia Orchestras and assistant conductor of the UW Symphony Orchestra. Additionally, Ms. Garza serves as a guest conductor for the UW Modern Ensemble. In October 2018, the Whidbey Island Orchestra invited Ms. Garza to conduct the west coast premiere of Curci’s Concerto Romantico. In November 2018, Ms. Garza was appointed assistant conductor of Whidbey Island Orchestra.
Prior to her Doctoral studies, Ms. Garza earned a Master’s Degree in Orchestral Conducting from the University of New Mexico (UNM) under the mentorship of Dr. Jorge Pérez-Gómez. She also holds a Bachelor’s Degree in Music Performance with an emphasis in percussion from UNM under the direct instruction of Professor Scott Ney.
Over the summer of 2018, Ms. Garza served as a returning guest conductor with the Albuquerque Philharmonic Orchestra in New Mexico as well as guest conductor with the Universidad Autónoma de Nuevo León Philharmonic Orchestra (UANL) in Monterrey, Mexico. At UANL, she taught two masterclasses on conducting technique and posture. In the spring of 2018, she was granted a conducting fellowship with the Seattle Symphony Orchestra, assisting maestro Ludovic Morlot in the development of a suite of compositions inspired by the sea, featuring works by Sibelius and Britten. Over the past two years, Ms. Garza has conducted multiple orchestras, university ensembles, opera performances, chamber groups and concerto competitions. In July of 2016, Ms. Garza was selected to attend the conductor’s summit at Wintergreen Summer Music Festival, studying under Victor Yampolsky and Erin Freeman.
As an active performer and percussionist in the Seattle metropolitan region, she has performed with the Puget Sound Symphony Orchestra, the UW Modern Ensemble, and the UW Symphony Orchestra. Upcoming commitments include performances in Paramount Theater and teaching seminars at the University Prep.