David Alexander Rahbee leads the University of Washington Symphony Orchestra in a program of music by Sibelius, Mozart, and Shostakovich. Faculty pianist Craig Sheppard solos with the orchestra on Mozart’s Piano Concerto No. 25, K. 503, C Major.
Sibelius: Spring Song, Op.16
Mozart: Piano Concerto No. 25, K.503 in C major
Craig Sheppard, piano
Shostakovich: Symphony No.9, Op.70 in E-flat Major
Artist and Conductor Bios
Craig Sheppard is a renowned pedagogue whose former students hold positions in major universities and conservatories in this country and around the world, including England, Germany, Argentina, Chile, Japan, Korea and Taiwan. Known for his passion at the keyboard, allied to technical mastery and a deep commitment to both scholarly and historical perspectives, Sheppard celebrates more than fifty years on the international concert platform. He has performed his most recent projects, the 24 Préludes and Fugues of Shostakovich, Opus 87, and Bach's The Art of Fugue in New York, London, Shanghai, The Forbidden Concert Hall Beijing, Jerusalem, and Oslo, as well as numerous universities and conservatories in the U.S. His CDs of the Shostakovich met with critical acclaim in both national and international press. In the July, 2016 issue of Fanfare magazine, Peter Rabinowitz writes: “What’s especially impressive is Sheppard’s sense of the music’s changing landscapes, his ability to shape its emotional trajectories. This is a set full of interpretive astuteness that repays repeated listening.” Bryce Morrison writes in the February, 2016 issue of Gramophone: “…clearly at the zenith of his career, he achieves a brilliantly inclusive poise and brio that go to the very heart of Shostakovich. He ends the Fugue No. 24 in a blaze of maestoso glory and a storm of cheers. Finely recorded, this is a memorable issue.”
In the April, 2011 issue of London’s International Record Review of Sheppard’s Last Three Piano Sonatas by Franz Schubert, Robert Matthew-Walker noted: ‘It was Hans Keller who said that All great artists are, by virtue of what they do, also great teachers, and those who have heard Sheppard’s recent recording on the Roméo label – particularly the complete Beethoven sonatas and Bach’s Well Tempered Clavier, Books I and II – will know the truth of that statement. The City of Seattle and the students at its University are indeed fortunate to have him in their midst.’ Sheppard’s recital début at the Berlin Philharmonic, featuring Chopin’s 24 Préludes and Bach’s Goldberg Variations, caused one critic to enthuse: ‘The pianist revealed himself an intimate connoisseur of Bach’s soul.’ Following Sheppard’s appearance at a recent Minnesota Beethoven Festival, the reviewer exclaimed: ‘With the recitals of Yo-Yo Ma and Craig Sheppard, the festival is off to a great start!’
Craig Sheppard was born in Philadelphia and graduated both the Curtis Institute and the Juilliard School, studying with Eleanor Sokoloff and Sasha Gorodnitzki respectively. He worked at the Marlboro Festival with Rudolf Serkin and Pablo Casals and in London with Ilona Kabos, Peter Feuchtwanger and Sir Clifford Curzon. He gave his New York début in January, 1972 at the Metropolitan Museum of Art, and six months later won the Silver Medal at the Leeds International Pianoforte Competition. Moving to London the following year, he played with all the major British orchestras on multiple occasions, as well as many on the European continent and many major orchestras in this country, working with conductors such as Erich Leinsdorf, Sir Georg Solti, Kurt Sanderling, James Levine, Michael Tilson Thomas, Aaron Copland, Yehudi Menuhin, Esa-Pekka Salonen, David Zinman and Leonard Slatkin. Sheppard taught at Lancaster University, the Yehudi Menuhin School, and the Guildhall School of Music and Drama, in addition to giving masterclasses at both Oxford and Cambridge universities.
Sheppard returned to this country in 1993 as Artist-in-Residence at the University of Washington’s School of Music, becoming a Full Professor in 2004. Sheppard’s repertoire is eclectic, comprising forty-plus recital programs and over sixty concerti spanning all major eras of Western classical music. He has collaborated with Wynton Marsalis, José Carreras, Ida Handel, Sylvia Rosenberg, Victoria de los Angeles, Irina Arkhipova, the Cleveland, Bartók and Emerson String Quartets, in addition to musicians of the younger generation, including James Ehnes, Stefan Jackiw, Richard O’Neill, Edward Arron and Johannes Moser. He travels frequently to Europe, the Far East, Singapore, Australia, New Zealand and South America to give concerts and masterclasses.
In 2010, Sheppard co-founded the annual Seattle Piano Institute with colleague, Dr. Robin McCabe, a musical boot camp for gifted young pianists that includes frequent private lessons along with supervised practice in dedicated practice rooms, masterclasses and seminars. Sheppard's CDs can be found on the Roméo, AT-Berlin, Philips, Sony and Chandos labels.
David Alexander Rahbee is currently Senior Artist in Residence at the University of Washington School of Music in Seattle, where he is Director of Orchestral Activities and Chair of Orchestral Conducting. He is Music Director and Conductor of the University of Washington Symphony Orchestra and founder of the UW Campus Philharmonia Orchestras. He is a recipient of the American-Austrian Foundation's 2003 Herbert von Karajan Fellowship for Young Conductors, the 2005 International Richard-Wagner-Verband Stipend, and a fellowship the Acanthes Centre in Paris in 2007.
Dr. Rahbee has appeared in concert with orchestras such as the Seattle Symphony, RTE National Symphony Orchestra of Ireland, Orchestre Philharmonique du Luxembourg, Kammerphilharmonie Berlin-Brandenburg, Guernsey Symphony Orchestra, Orchestre de la Francophonie, Orchesterakademie der Bochumer Symphoniker, the Dresden Hochschule orchestra, Grand Harmonie, the Boston New Music Initiative, Seattle Modern Orchestra, Orquesta Sinfónica de Loja (Ecuador), Armenian Philharmonic Orchestra, Savaria Symphony Orchestra (Hungary), Cool Opera of Norway (members of the Stavanger Symphony), Schönbrunner Schloss Orchester (Vienna), the Whatcom Symphony Orchestra, the Kennett Symphony, and the Divertimento Ensemble of Milan. He collaborated twice with the Seattle Symphony in 2015, assisting for the performance and recording of Ives’ Fourth Symphony, and as guest conductor for their Native Lands project. He has collaborated with several prominent soloists such as Sarah Chang, Jon Kimura Parker and Jonathan Biss. He has been a guest rehearsal conductor for numerous young orchestras, such as the New England Conservatory Symphony Orchestra, The Symphony Orchestra of the Hall-Musco Conservatory of Music at Chapman University, and the Vienna University of Technology orchestra, the Boston Youth Symphony Orchestras, and Rhode Island Philharmonic Youth Orchestras. He has served on faculty of the Pierre Monteux School as Conducting Associate, has been resident conductor of the Atlantic Music Festival in Maine and guest conductor at the Hawaii Performing Arts Festival.
Dr. Rahbee was an assistant at the Vienna State opera from 2002-2010. As part of his fellowship and residency at the 2003 Salzburg Festival, Dr. Rahbee was assistant conductor of the International Attergau Institute Orchestra, where he worked with members of the Vienna Philharmonic. He has been selected to actively participate in masterclasses with prominent conductors such as Kurt Masur, Sir Colin Davis, Jorma Panula, Zdeněk Mácal, Peter Eötvös, Zoltán Peskó and Helmut Rilling, and counts Nikolaus Harnoncourt to be among his most influential mentors. From 1997-2001, David Rahbee was conductor of the Fidelio Chamber Orchestra in Cambridge, Massachusetts, selecting its talented young members from Harvard University, the New England Conservatory, Boston University, The Boston Conservatory, and the Longy School. From 1997 to 2000, he served as assistant conductor of the Atlantic Symphony Orchestra (formerly known as the Hingham Symphony) in Massachusetts.
Dr. Rahbeeʼs principal conducting teachers were Charles Bruck and Michael Jinbo at the Pierre Monteux School. He holds a Bachelor of Music degree in violin and composition from Indiana University, a Master of Music degree from the New England Conservatory in orchestral conducting, and a Doctorate of Musical Arts from the University of Montreal in orchestral conducting. He has also participated in post-graduate conducting classes at the Universität für Musik und Darstellende Kunst, Vienna. His arrangements of various music for brass are published by Warwick Music, and his articles on the music of Gustav Mahler have appeared in journals of the International Gustav Mahler Gesellschaft, among others.
Dr. Rahbee has placed among finalists for The American Prize National Nonprofit Competitions in the Performing Arts in the category of Orchestral Programming four consecutive years, including 2nd place for the 2014-15 season of the UW Symphony, and 3rd place for the 2016-17 season. He also was awarded 2nd place in the category of Orchestral Conducting for the 2016-17 season. He is co-editor of Daniels’ Orchestral Music (6thedition) and Daniels’ Orchestral Music Online (DOMO), the gold standard among conductors, orchestral administrators, orchestral librarians as well as other music professionals and students researching for orchestral programming.
He is co-editor of Daniels’ Orchestral Music (6thedition) and Daniels’ Orchestal Music Online (DOMO), the gold standard among conductors, orchestral administrators, orchestral librarians as well as other music professionals and students reseaching for orchestral programming.