-
Pianist Craig Sheppard (photo courtesy the artist).
In light of public health advisories on social distancing, this performance has been canceled.
David Alexander Rahbee leads the University of Washington Symphony Orchestra in a program of music by Sibelius, Mozart, and Shostakovich. Faculty pianist Craig Sheppard solos with the orchestra on Mozart’s Piano Concerto No. 25, K. 503, C Major.
Program
Sibelius: Spring Song, Op.16
Mozart: Piano Concerto No. 25, K.503 in C major
Craig Sheppard, piano
Shostakovich: Symphony No.9, Op.70 in E-flat Major
Artist and Conductor Bios
Craig Sheppard is Professor of Piano and Head of Keyboard at the School of Music of the University of Washington in Seattle. He is also Professor of the Advanced Innovation Center at the China Conservatory in Beijing, and his former students hold positions in conservatories and universities throughout the world.
A veteran of over fifty years on the international stage, in the past few seasons he has performed both Shostakovich’s 24 Preludes and Fugues and Bach’s The Art of Fugue in venues throughout the United States, as well as London, Manchester (UK), Jerusalem, Shanghai and Beijing’s Forbidden City Concert Hall, in addition to giving masterclasses at all of the above.
As recording artist, his LPs and CDs have appeared on the Sony, Chandos, Philips, EMI and AT-Berlin labels. He has published 26 CDs with Romeo Records (NY) since 2005, including the complete Beethoven sonatas (Beethoven: A Journey), the Six Bach Partitas, the Inventions and Sinfornias, both books of The Well Tempered Clavier, the last three Schubert sonatas, Liszt’s Années de Pèlerinage I and II, Debussy’s 24 Preludes and 12 Études (including both books of Images and Estampes), the 24 Preludes and Fugues of Shostakovich, Late Piano Works, Opus 116-19, of Johannes Brahms, and Bach’s Die Kunst der Fuge (The Art of Fugue).
Within the past two decades, he has traveled many times to the Far East for performances and masterclasses, including Japan, Korea, China, Hong Kong, and Singapore. He has performed at the Nehru Memorial Library in New Delhi, held a residency at the Melba Conservatory in Melbourne, Australia, and performed three times in New Zealand, including the first ever public performances of both books of Bach’s Well Tempered Clavier. Most recently, he performed the Complete Chopin Nocturnes at the Museu do Oriente in Lisbon.
Born in Philadelphia in November, 1947, Craig Sheppard graduated from both the Curtis Institute and the Juilliard School, studying with Eleanor Sokoloff and Sasha Gorodnitzki respectively. He also worked with Rudolf Serkin and Pablo Casals at the Marlboro Festival, and later with Ilona Kabos, Peter Feuchtwanger and Sir Clifford Curzon in London. During his early years, in addition to a successful début at New York’s Metropolitan Museum of Art, he won top prizes in the Busoni, Ciani, and Rubinstein competitions. However, it was his Silver Medal at the Leeds International Piano Competition in 1972 that brought him to international attention. Moving to London in 1973 and living there for the next twenty years, Sheppard taught at Lancaster University, the Yehudi Menuhin School, and the Guildhall School of Music and Drama. He also performed on multiple occasions with all the major British orchestras and with many on the European continent, under such conductors as Sir George Solti, Erich Leinsdorf, Kurt Sanderling, James Levine, Michael Tilson Thomas, Aaron Copland, Lord Yehudi Menuhin, Sir Charles Mackerras, Sir Andrew Davis, Sir John Pritchard, Esa-Pekka Salonen, David Zinman, and Leonard Slatkin. In the United States, he has performed with the orchestras of Philadelphia, Boston, Chicago, Atlanta, Dallas, San Francisco, Rochester and Seattle, and many others.
Craig Sheppard’s solo repertoire is eclectic, comprising nearly fifty solo recital programs and more than sixty concerti covering a wide spectrum within the Western canon. He also has a great love of chamber music and has collaborated with many great instrumentalists and singers, including Wynton Marsalis, José Carreras, Victoria de los Angeles, Irina Arkhipova, Ida Handel, Sylvia Rosenberg, Mayumi Fujikawa, the Cleveland, Emerson and Miró string quartets, and many musicians of the younger generation, including James Ehnes, Stefan Jackiw, Richard O’Neill, Edward Arron and Johannes Moser.
Sheppard is invited frequently to serve on the juries of distinguished international competitions, including most recently the Arthur Rubinstein International Piano Master Competition in Tel Aviv in May of 2021 and the National Society of Arts and Letters in Chicago in 2022. He also returns regularly to the Jerusalem Music Center to perform and teach, as well as the Chetham’s Summer School in Manchester, UK. With colleague Dr. Robin McCabe, Sheppard is Co-Founder and Artistic Director of the Seattle Piano Institute, a boot camp for aspiring young pianists held every July at the University of Washington, this summer celebrating its 14th anniversary.
David Alexander Rahbee is an Associate Professor at the University of Washington School of Music in Seattle, where he is Director of Orchestral Activities and Chair of Orchestral Conducting. He is Music Director and Conductor of the University of Washington Symphony Orchestra and founder of the UW Campus Philharmonia Orchestras. He is a recipient of the American-Austrian Foundation's 2003 Herbert von Karajan Fellowship for Young Conductors, the 2005 International Richard-Wagner-Verband Stipend, a fellowship the Acanthes Centre in Paris (2007), and is first prize winner in conducting from The American Prize national non-profit competitions in the performing arts for 2020. His work at UW has earned national recognition. In 2021 he was praised by The American Prize as “Consistently one of the most courageous and comprehensive [orchestral] programmers working in higher education in the U.S. today…”
Dr. Rahbee has appeared in concert with orchestras such as the Seattle Symphony, RTE National Symphony Orchestra of Ireland, Orchestre Philharmonique du Luxembourg, Kammerphilharmonie Berlin-Brandenburg, Guernsey Symphony Orchestra, Chattanooga Symphony, National Chamber Orchestra of Armenia, Orchestre de la Francophonie, Orchesterakademie der Bochumer Symphoniker, the Dresden Hochschule orchestra, Grand Harmonie, the Boston New Music Initiative, Seattle Modern Orchestra, Orquesta Sinfónica de Loja (Ecuador), Savaria Symphony Orchestra (Hungary), Cool Opera of Norway (members of the Stavanger Symphony), Schönbrunner Schloss Orchester (Vienna), the Whatcom Symphony Orchestra, the Kennett Symphony, and the Divertimento Ensemble of Milan. His collaborations with the Seattle Symphony include assistant conductor for the performance and recording of Ives’ Fourth Symphony, and as guest conductor for their Native Lands project and the North American premiere of Páll Ragnar Pallson's Quake with faculty cellist Sæunn Thorsteinsdóttir. He has collaborated with several prominent soloists such as Sarah Chang, Jon Kimura Parker, Yekwon Sunwoo, Glenn Dicterow and Jonathan Biss. He has been a guest rehearsal conductor for numerous young orchestras, such as the New England Conservatory Symphony Orchestra, The Symphony Orchestra of the Hall-Musco Conservatory of Music at Chapman University, and the Vienna University of Technology orchestra. He has served on faculty of the Pierre Monteux School as Conducting Associate, has been resident conductor of the Atlantic Music Festival and guest conductor at the Hawaii Performing Arts Festival.
Dr. Rahbee was an assistant at the Vienna State opera from 2002-2010. As part of his fellowship and residency at the 2003 Salzburg Festival, Dr. Rahbee was assistant conductor of the International Attergau Institute Orchestra, where he worked with members of the Vienna Philharmonic. He has been selected to actively participate in masterclasses with prominent conductors such as Kurt Masur, Sir Colin Davis, Jorma Panula, Zdeněk Mácal, Peter Eötvös, Zoltán Peskó and Helmut Rilling, and counts Nikolaus Harnoncourt to be among his most influential mentors. From 1997-2001, David Rahbee was founder and conductor of the Fidelio Chamber Orchestra in Cambridge, Massachusetts.
Dr. Rahbeeʼs principal conducting teachers were Charles Bruck and Michael Jinbo at the Pierre Monteux School. He holds a Bachelor of Music degree in violin and composition from Indiana University, a Master of Music degree from the New England Conservatory in orchestral conducting, and a Doctorate of Musical Arts from the University of Montreal in orchestral conducting. He has also participated in post-graduate conducting classes at the Universität für Musik und Darstellende Kunst, Vienna. His brass arrangements are published by Warwick Music, and his articles on the music of Mahler have appeared in journals of the International Gustav Mahler Gesellschaft, among others.
In addition to being awarded first prize in conducting from The American Prize for 2020, he was awarded 2nd place in 2019. He has also placed among winners for five consecutive years for The American Prize Vytautas Marijosius Memorial Award for Orchestral Programming, recognizing his programming with the UW Symphony and its affiliated ensembles for every season since he joined the faculty. The UWSO has also been a finalist in the category of orchestral performance in 2018, 2019 and 2020.
Dr. Rahbee is co-editor of Daniels’ Orchestral Music (6thedition) and Daniels’ Orchestral Music Online (DOMO), the gold standard among conductors, orchestral administrators, orchestra librarians as well as other music professionals and students researching for orchestral programming.