Students and faculty of the School of Music performance studios present music from across the ages in this digital-only concert series, special for Spring 2020.
Beethoven: Symphony no.4, op.60, B-flat major, Mvt.1
University of Washington Symphony Orchestra
David A. Rahbee, conductor
Program Note
The Beethoven symphonies are the cornerstone of the orchestral repertoire, and THE reason why we have public orchestral concerts as we know them today. In the years following Beethoven's death, Vienna Court Opera musicians organized public orchestral concerts to perform his symphonies, eventually forming the Vienna Philharmonic. They are such important pieces for a variety of reasons. Each one reaches further, not only in scope and form, but they also push the limits of what was humanly possible for the musicians and their instruments, and they embody the strong will of his philosophical beliefs and ideals. This was radical on all fronts, and paved the way for much of what followed for years to come. The raw energy in his music is unlike anything else before his time. I believe all orchestral musicians, professional or not, should have at least some familiarity with all nine of them...ideally, to play them all, but if not, at least to play several. I always make an effort to begin each UW Symphony season with something by Beethoven, as his music is one the best vehicles for teaching and learning in the orchestral setting, for all the reasons above and also beyond. —David Alexander Rahbee
This performance was recorded on November 1, 2019, at Meany Center for the Performing Arts.
Director Bio
David Alexander Rahbee is an Associate Professor at the University of Washington School of Music, where he is Director of Orchestral Activities and Chair of Orchestral Conducting. He is Music Director and Conductor of the University of Washington Symphony Orchestra and founder of the Campus Philharmonia Orchestras. He is a recipient of the American-Austrian Foundation's 2003 Herbert von Karajan Fellowship for Young Conductors, the 2005 International Richard-Wagner-Verband Stipend, a fellowship the Acanthes Centre in Paris (2007), and is first prize winner in conducting from The American Prize national non-profit competitions in the performing arts for 2020. His work at UW has earned national recognition. In 2021 he was praised by The American Prize as “Consistently one of the most courageous and comprehensive [orchestral] programmers working in higher education in the U.S. today…”
Dr. Rahbee has appeared in concert with orchestras such as the Seattle Symphony, RTE National Symphony Orchestra of Ireland, Orchestre Philharmonique du Luxembourg, Kammerphilharmonie Berlin-Brandenburg, Guernsey Symphony Orchestra, Chattanooga Symphony, Bellingham Symphony, National Chamber Orchestra of Armenia, Orchestre de la Francophonie, the Boston New Music Initiative, Seattle Modern Orchestra, Orquesta Sinfónica de Loja, Cool Opera of Norway, Schönbrunner Schloss Orchester and the Divertimento Ensemble of Milan. His collaborations with the Seattle Symphony include assistant conductor for the performance and recording of Ives’ Fourth Symphony, and as guest conductor for their Native Lands project and the North American premiere of Páll Ragnar Pallson's Quake. He has collaborated with several prominent soloists such as Sarah Chang, Michelle Cann, Jon Kimura Parker and Jonathan Biss. He has taught at the Pierre Monteux School, as has conducted at a number of summer festivals such as the Atlantic Music Festival, Sewanee Music Center, Bar Harbor Music Festival and Hawaii Performing Arts Festival.
Dr. Rahbee was an assistant at the Vienna State opera from 2002-2010. As part of his fellowship and residency at the 2003 Salzburg Festival, where he worked with members of the Vienna Philharmonic. Masterclasses with prominent conductors such as Kurt Masur, Sir Colin Davis, Jorma Panula, Zdeněk Mácal, Peter Eötvös, Zoltán Peskó and Helmut Rilling, and counts Nikolaus Harnoncourt to be among his most influential mentors.
Dr. Rahbeeʼs principal conducting teachers were Charles Bruck and Michael Jinbo at the Pierre Monteux School. He holds a Bachelor of Music degree in violin and composition from Indiana University, a Master of Music degree from the New England Conservatory in orchestral conducting, and a Doctorate of Musical Arts from the University of Montreal in orchestral conducting. He has also participated in post-graduate conducting classes at the Universität für Musik und Darstellende Kunst, Vienna. His orchestrations of music by Clara Schumann, Fanny Mendelssohn Hensel, Ravel, Debussy and others are published by LeDor; his brass arrangements and an original composition are published by Warwick Music, and his articles on the music of Gustav Mahler have appeared in journals of the International Gustav Mahler Gesellschaft, among others.
In addition to being awarded first prize in conducting from The American Prize for 2020, he was awarded 2nd place in 2019. He has also placed among winners for five consecutive years for The American Prize Vytautas Marijosius Memorial Award for Orchestral Programming, recognizing his programming with the UW Symphony and its affiliated ensembles for every season since he joined the faculty. The UWSO has also been a finalist in the category of orchestral performance in 2018, 2019 and 2020.
Dr. Rahbee is co-editor of Daniels’ Orchestral Music (6thedition) and Daniels’ Orchestral Music Online (DOMO), the gold standard among conductors, orchestral administrators, orchestra librarians as well as other music professionals and students researching for orchestral programming.