The UW’s percussion studies program emphasizes technical mastery and musicianship with a practical aim of preparing students to excel in a wide range of professional musical settings.
Graduates of the percussion studies program are teaching at universities, touring internationally as bandleaders and percussionists, performing in musical theater productions from Seattle to Broadway, and performing in jazz ensembles, orchestras, experimental contemporary music ensembles, and popular music groups.
Faculty in the program include newly appointed chair Bonnie Whiting, whose research and performance interests include a range of percussion styles across centuries, in particular non-traditional notation, interdisciplinary performance, improvisation, and the speaking percussionist. The program also benefits from related faculty in Jazz Studies, including drumset instructor Ted Poor, and Ethnomusicology, including gamelan specialist Christina Sunardi. Students in the program also perform in concerts and festivals related to the Harry Partch Instrument Collection, in long-term residence at the UW under the curatorship of composer Charles Corey.
Offering undergraduate, masters, and doctoral degree options, the program also presents performance opportunities open to undergraduates and non-majors. The UW Percussion Studio is a mix of undergraduate and graduate students, majors and non-majors, who perform in quarterly studio performances, present solo degree recitals, and participate in the School’s many performance ensembles, including the UW Percussion Ensemble, UW Symphony Orchestra, various wind ensembles, small jazz ensembles, and the UW Big Band.
Students also benefit from visiting artists who perform concerts with faculty and students and lead master classes and workshops. Some recent guest artists have included renowned percussionists Emil Richards, Alex Acuña, Ralph Humphrey, Michael Burritt, international marimba artist Julie Spencer, and others.
Percussion Lab: Percussion faculty and guest artists introduce a new percussion-related topic each week. Students actively participate in each session and complete short homework assignments that enhance the instruction.
Studio Class: Students investigate weekly percussion-related topics in class, during off-campus field trips to investigate specific percussion styles and opportunities (Taiko or African drumming, for example), and through visits by select guest speakers.
Percussion Ensemble: The UW Percussion Ensemble performs regularly throughout the school year in Meany Theater and Meany Studio Theater. The group, comprising undergraduate and graduate percussion majors, focuses on contemporary music of many genres composed for percussion ensembles ranging in size from trios to nonets and dectets.
Private Lessons: Private lessons with the UW’s studio instructors enable students to tailor their lesson experience to their specific long-term goals and to discover areas of strength or specialty.
Non-Major Instrumental Lessons
Students who are not majoring in music but who are interested in taking private instrumental lessons with faculty are welcome to audition! Non-major lessons auditions occur in September, January, and February each year for admission into a faculty studio beginning Fall term. More audition information can be found on the Audition Dates page. Lessons are offered on a space-available basis in faculty studios and occur weekly over the course of the academic year. If admitted to private lessons, students will be given a faculty code to register for the appropriate MUSICP course number. In addition to tuition, non-major lessons require a $400 course lesson fee.
In addition to student support distributed by the University of Washington’s financial aid office, the School of Music distributes more than a half million dollars annually in merit-based and need-based student support. Graduate teaching assistantships are highly competitive and are granted in all areas of study.
For more information, contact SoMadmit@uw.edu