Piano Professor Robin McCabe and violinist Maria Larionoff perform all ten of the composer’s violin/piano sonatas over three consecutive evenings. Each performance includes a pre-concert lecture by a well-known Seattle music media professional.
Pre-concert lecture: 4:00pm
Additional events in series:
- Friday, November 13 - Pre-concert Lecture: Melinda Bargreen, Seattle author and SoM alumna "For Pianoforte and Violin: Beethoven and the Evolution of the Sonata"
- Saturday, November 14 - Pre-concert Lecture: Lisa Bergman, KING FM radio host and SoM alumna "Beethoven: A Daydreaming Titan"
Pre-concert Lecture: Sean MacLean
KING FM radio host
Robin McCabe, piano, Maria Larionoff, violin
Sonata in A Major, Op.12 #2
Sonata in G Major, Op.96
Sonata in A Major, Op.47 “Kreutzer”
Sean MacLean, KING FM radio host
Sean always wanted to live in Seattle. He loves his hometown of San Francisco, but he wanted more ferns and moss around him, and espresso shots with legs.
Sean’s a pianist and composer, whose international award-winning works have been performed by choirs and orchestras on both sides of the Atlantic, including London’s BBC Symphony. He got his masters from the Yale School of Music, where he studied with Pulitzer Prize winners Lukas Foss and Jacob Druckman. Determined to understand each link in the chain of music production, from composition, through performance and recording, to listener, he formed a recording business, Standing Wave Audio, while living in Paris for five years. He followed with radio production for WGBH in Boston.
After life-altering visits to Seattle, where he had run barefoot in rainforests and paddled with otters, he made the move to King FM in 2005. In his free time, Sean plays guitar, flugelhorn, and Remora™, an electroacoustic harp-guitar of his own invention. He is a published travel photographer, but now concentrates on his Northwest surroundings, where he takes his camera on moonlight kayaking, telemark skiing, and kitesurfing adventures. While standing on top of Mt. Rainier in 2006 he screamed so loudly that he lost his radio voice for a few days.
Robin McCabe, piano
Celebrated American pianist Robin McCabe has established herself as one of America’s most communicative and persuasive artists. McCabe’s involvement and musical sensibilities have delighted audiences across the United States, Europe, Canada and in seven concert tours of the Far East. The United States Department of State sponsored her two South American tours, which were triumphs both artistically and diplomatically.
As noted by the New York Times, “What Ms. McCabe has that raises her playing to such a special level is a strong lyric instinct and confidence in its ability to reach and touch the listener.” The Tokyo Press declared her a “pianistic powerhouse,” and a reviewer in Prague declared, “Her musicianship is a magnet for the listener.” Richard Dyer, the eminent critic of the Boston Globe: ‘Her brilliant, natural piano playing shows as much independence of mind as of fingers.”
Her recordings have received universal acclaim. Her debut album for Vanguard Records featured the premiere recording of Guido Agosti transcription of Stravinsky’s Firebird Suite. Critics praised it as “mightily impressive.” Stereo Review described her disc of Bartok as “all that we have come to expect from this artist, a first-rate performance!” She was commissioned to record four albums for the award-winning company Grammofon AB BIS in Stockholm, which remain distributed internationally, including the CD “Robin McCabe Plays Liszt,” (AB BIS No. 185).
McCabe, earned her bachelor of music degree summa cum laude at the University of Washington School of Music, where she studied with Béla Siki, and her master’s and doctorate degrees at the Juilliard School of Music, where she studied with Rudolf Firkusny. She joined the Juilliard faculty in 1978 then returned to the UW in 1987 to accept a position on the piano faculty. In 1994 McCabe was appointed Director of the School of Music, a position she held until 2009. She has held a Ruth Sutton Waters Professorship and a Donald Petersen Professorship in the School of Music. In addition, McCabe is a dedicated arts ambassador and advocate for arts audience development, frequently addressing arts organizations across the country. With colleague Craig Sheppard, she has launched the highly successful Seattle Piano Institute, an intense summer “immersion experience” for gifted and aspiring classical pianists that enjoyed its sixth session in 2015. Also In 2015, McCabe performed and recorded the complete cycle of Beethoven’s ten sonatas for violin and piano, with colleague Maria Larionoff.
The winner of numerous prizes and awards, including the International Concert Artists Guild Competition and a Rockefeller Foundation grant, McCabe was the subject of a lengthy New Yorker magazine profile, “Pianist’s Progress,” later expanded into a book of the same title.
In 1995 McCabe presented the annual faculty lecture — a concert with commentary — at the University of Washington. She is the first professor of music in the history of the University to be awarded this lectureship. Seattle magazine selected McCabe as one of 17 current and past University of Washington professors who have had an impact on life in the Pacific Northwest. In 2005, to celebrate its 100th year as an institution, The Juilliard School selected McCabe as one of 100 alumni from 20,000 currently living to be profiled in its centenary publication recognizing distinction and accomplishments in the international world of music, dance, and theater. Today she is a highly- sought teacher at the University of Washington, with students from around the world seeking admission to her studio.
McCabe performs regularly throughout the United States, and in September of 2011 she made her first visit to South Korea. In October of 2015 McCabe gave solo recitals in Beijing, and master classes at the International Beijing Piano Festival. She appears often as an invited jurist for international piano competitions, most recently in New Orleans, San Antonio, and Vancouver, Canada. In June of 2016 she is invited to serve on the jury of the Gina Bachauer International Piano Competition.
Maria Larionoff, violin
Former Seattle Symphony concertmaster Maria Larionoff has appeared as a soloist with the Los Angeles Philharmonic, the Seattle, Yakima and Port Angeles symphonies, the Orquesta Sinfónica Carlos Chávez, and the University of Washington and San Francisco chamber orchestras. Also versatile as a violist, she has collaborated in many chamber music festivals. In May 2002, with her husband, University of Washington double bassist Barry Lieberman, she launched the immensely successful American String Project, a conductorless string orchestra comprised of concertmasters, professors and distinguished soloists from around the world. She plays on a 1775 Guadagnini (the ex-Lorand) on loan from the family of Dr Benum W. Fox of Chicago.