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Faculty Recital: Craig Sheppard, piano; Sæunn Thorsteinsdóttir, cello

Thursday, January 31, 2019 - 7:30pm
$20 ($10 students and seniors)
  • Saeunn Thorsteinsdottir and Craig Sheppard (photo: Steve Korn).
    Faculty colleagues Saeunn Thorsteinsdottir and Craig Sheppard (photo: Steve Korn).

Faculty colleagues Craig Sheppard, piano, and Sæunn Thorsteinsdóttir, cello, conclude their cycle of performances of the complete Beethoven works for cello and piano with the magnificent A Major Sonata, Opus 69, and the three sets of variations.

Artist Bios

Piano Professor Craig Sheppard

Craig Sheppard is Professor of Piano and Head of Keyboard at the School of Music of the University of Washington in Seattle.  He is also Professor of the Advanced Innovation Center at the China Conservatory in Beijing, and his former students hold positions in conservatories and universities throughout the world. 

A veteran of over fifty years on the international stage, in the past few seasons he has performed both Shostakovich’s 24 Preludes and Fugues and Bach’s The Art of Fugue in venues throughout the United States, as well as London, Manchester (UK), Jerusalem, Shanghai and Beijing’s Forbidden City Concert Hall, in addition to giving masterclasses at all of the above. 

As recording artist, his LPs and CDs have appeared on the Sony, Chandos, Philips, EMI and AT-Berlin labels.  He has published 26 CDs with Romeo Records (NY) since 2005, including the complete Beethoven sonatas (Beethoven: A Journey), the Six Bach Partitas, the Inventions and Sinfornias, both books of The Well Tempered Clavier, the last three Schubert sonatas, Liszt’s Années de Pèlerinage I and II, Debussy’s 24 Preludes and 12 Études (including both books of Images and Estampes), the 24 Preludes and Fugues of Shostakovich, Late Piano Works, Opus 116-19,  of Johannes Brahms, and Bach’s Die Kunst der Fuge (The Art of Fugue).   

Within the past two decades, he has traveled many times to the Far East for performances and masterclasses, including Japan, Korea, China, Hong Kong, and Singapore.  He has performed at the Nehru Memorial Library in New Delhi, held a residency at the Melba Conservatory in Melbourne, Australia, and performed three times in New Zealand, including the first ever public performances of both books of Bach’s Well Tempered Clavier. Most recently, he performed the Complete Chopin Nocturnes at the Museu do Oriente in Lisbon.

Born in Philadelphia in November, 1947, Craig Sheppard graduated from both the Curtis Institute and the Juilliard School, studying with Eleanor Sokoloff and Sasha Gorodnitzki respectively.  He also worked with Rudolf Serkin and Pablo Casals at the Marlboro Festival, and later with Ilona Kabos, Peter Feuchtwanger and Sir Clifford Curzon in London.  During his early years, in addition to a successful début at New York’s Metropolitan Museum of Art, he won top prizes in the Busoni, Ciani, and Rubinstein competitions.  However, it was his Silver Medal at the Leeds International Piano Competition in 1972 that brought him to international attention.  Moving to London in 1973 and living there for the next twenty years, Sheppard taught at Lancaster University, the Yehudi Menuhin School, and the Guildhall School of Music and Drama.  He also performed on multiple occasions with all the major British orchestras and with many on the European continent, under such conductors as Sir George Solti, Erich Leinsdorf, Kurt Sanderling, James Levine, Michael Tilson Thomas, Aaron Copland, Lord Yehudi Menuhin, Sir Charles Mackerras, Sir Andrew Davis, Sir John Pritchard, Esa-Pekka Salonen, David Zinman, and Leonard Slatkin. In the United States, he has performed with the orchestras of Philadelphia, Boston, Chicago, Atlanta, Dallas, San Francisco, Rochester and Seattle, and many others. 

Craig Sheppard’s solo repertoire is eclectic, comprising nearly fifty solo recital programs and more than sixty concerti covering a wide spectrum within the Western canon.  He also has a great love of chamber music and has collaborated with many great instrumentalists and singers, including Wynton Marsalis, José Carreras, Victoria de los Angeles, Irina Arkhipova, Ida Handel, Sylvia Rosenberg, Mayumi Fujikawa, the Cleveland, Emerson and Miró string quartets, and many musicians of the younger generation, including James Ehnes, Stefan Jackiw, Richard O’Neill, Edward Arron and Johannes Moser.

Sheppard is invited frequently to serve on the juries of distinguished international competitions, including most recently the Arthur Rubinstein International Piano Master Competition in Tel Aviv in May of 2021 and the National Society of Arts and Letters in Chicago in 2022.  He also returns regularly to the Jerusalem Music Center to perform and teach, as well as the Chetham’s Summer School in Manchester, UK.  With colleague Dr. Robin McCabe, Sheppard is Co-Founder and Artistic Director of the Seattle Piano Institute, a boot camp for aspiring young pianists  held every July at the University of Washington, this summer celebrating its 14th anniversary.

Saeunn Thorsteinsdottir

Icelandic-American cellist Sæunn Thorsteinsdóttir enjoys a varied career as a performer, collaborator and educator.  She has appeared as soloist with the Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, BBC Symphony Orchestra, Toronto Symphony Orchestra and Iceland Symphony, among others, and her recital and chamber music performances have taken her across the US, Europe and Asia.  Sæunn has performed in many of the world’s prestigious halls including Carnegie Hall, Suntory Hall, Elbphilharmonie, Barbican Center and Disney Hall and the press have described her as “charismatic” and “riveting” (NYTimes) and praised her performances for their “emotional intensity” (LATimes).

An avid chamber musician, she has collaborated in performance with Itzhak Perlman, Mitsuko Uchida, Richard Goode and members of the Emerson, Guarneri, St. Lawrence and Cavani Quartets and has performed in numerous chamber music festivals, including Santa Fe, Seattle, Stellenbosch, Orcas Island, Bay Chamber, Prussia Cove and Marlboro, with whom she has toured. She is cellist of the Seattle-based group, Frequency, and cellist and founding member of Decoda, The Affiliate Ensemble of Carnegie Hall.

In the 2018-2019 season, Sæunn makes her debut with the BBC and Seattle Symphonies performing the award-winning cello concerto,Quake, written for her by Páll Ragnar Pálsson. Chamber music appearances take her to Carnegie Hall in New York City, Glasgow, and Los Angeles, as well as recitals in Reykjavík, Seattle and Chicago following the Spring 2019 release of “Vernacular”, her recording of Icelandic solo cello music on the Sono Luminus label.

Highlights of the 2017-2018 season included the US premiere of Betsy Jolas’ Wanderlied and the Hong Kong premiere of Sofia Gubaidulina’s Canticle of the Sun, as well as recitals and chamber music appearances in New York City, San Francisco, Seattle, Glasgow, London and Reykjavík. In addition to collaborating with Daníel Bjarnason on his award-winning composition Bow to String, Sæunn enjoys close working relationships with composers of our time such as Páll Ragnar Pálsson, Halldór Smárason, Melia Watras, Jane Antonia Cornish and Þuríður Jónsdóttir. 

Sæunn has garnered numerous prizes in international competitions, including the Naumburg Competition and the Antonio Janigro Competition in Zagreb. She received a Bachelor of Music from the Cleveland Institute of Music, a Master of Music from The Juilliard School and a Doctorate of Musical Arts from SUNY Stony Brook.  Her teachers and mentors include Richard Aaron, Tanya Carey, Colin Carr and Joel Krosnick.

Born in Reykjavík, Iceland, Sæunn serves on the faculty of the University of Washington in Seattle, teaching cello and chamber music. For more information, please visit www.saeunn.com

 

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