Duo Recital: Rachel Lee Priday and JP Jofre

Thursday, March 17, 2022 - 7:30pm
$20 General; $15 UW Affiliate (UW faculty, staff, UW retiree, UWAA member); $10 students/seniors
Rachel Lee Priday and JP Jofre
Rachel Lee Priday and JP Jofre (Courtesy Photos)

Faculty violinist Rachel Lee Priday joins composer and virtuoso bandoneonist JP Jofre in his original nuevo tango compositions for violin and bandoneon. 

Masks are required in all indoor spaces on the UW campus, and patrons must show proof of vaccination or recent (within 72 hours of the performance) negative COVID-19 test for entry to live events at Meany Hall. Enhanced sanitation measures and touchless ticketing are among other safety measures in effect for 2021-22. Details of these policies and procedures are athttps://artsevents.washington.edu/covid-protocols 


Artist Bio

JP Jofre

Native from San Juan, Argentina, JP Jofre is an award-winning bandoneon player and composer. He has been repeatedly highlighted by the New York Times and praised as one of todays leading artists by Great Performers at Lincoln Center. His music has been recorded by 16 times Grammy winner Paquito DRivera, Orpheus Orchestra, and Kathryn Stott.

Jofre is a recipient of the National Prize of the Arts grant in Argentina, he has taken his form of contemporary Tango to some of the most important festivals around the world including Celebrity Series of Boston and Umbria Jazz Festival, among others. As soloist he has appeared with the San Antonio Symphony, San Diego Symphony, and Argentina's NSO, to name a few. JP has also given lectures  at Google Talks, TEDtalks, and The Juilliard School.

He is currently writing two double concertos commissioned by clarinetist producer Sunny Kang and violinists Francisco Fullana and Michael Guttman co-commissioned by Classical Music Institute of San Antonio,  Balearic Islands Symphony  and Metropolis Ensemble. More at JPJofre.com

Rachel Lee Priday, violin


Violinist RACHEL LEE PRIDAY (PRY-day) is a passionate and inquisitive explorer in all her musical ventures, in search of contemporary relevance when performing the standard violin repertoire, and in discovering and commissioning new works. Her wide-ranging repertoire and eclectic programming reflect a deep fascination with literary and cultural narratives.

Rachel Lee Priday has appeared as soloist with major international orchestras, including the Chicago, Saint Louis, Houston, Seattle, and National Symphony Orchestras, the Boston Pops, and the Berlin Staatskapelle. Recital appearances have brought her to eminent venues including the Mostly Mozart Festival at Lincoln Center, Musée du Louvre, Verbier Festival, Ravinia Festival and Dame Myra Hess Memorial Series in Chicago, Mecklenburg-Vorpommern Festival in Germany, and tours of South Africa and the United Kingdom.

Committed to new music, and making enriching community and global connections, Rachel takes a multidisciplinary approach to performing that lends itself to new commissions organically merging poetry, dance, drama, stimulating visuals and music. Recent seasons have seen a new Violin Sonata commissioned from Pulitzer Prize Finalist Christopher Cerrone and the premiere of Matthew Aucoin’s “The Orphic Moment” in an innovative staging that mixed poetry, drama, visuals, and music. Rachel has collaborated several times with Ballet San Jose, and was lead performer in “Tchaikovsky: None But The Lonely Heart” during a week-long theatrical concert with Ensemble for the Romantic Century at the Brooklyn Academy of Music (BAM). Her work as soloist with the Asia America New Music Institute promoted new music relationships and cultural exchange between Asia and the Americas, combining new music premieres and educational outreach in the US, China, Korea and Vietnam. 

Rachel began her violin studies at the age of four in Chicago. Shortly thereafter, she moved to New York to study with iconic pedagogue Dorothy DeLay, and continued her studies at the Juilliard School Pre-College Division with Itzhak Perlman. Rachel holds a B.A. degree in English from Harvard University and an M.M. from the New England Conservatory, where she studied with Miriam Fried. Since Fall 2019, she serves as Assistant Professor of Violin at the University of Washington School of Music.

Recent and upcoming concerto engagements include the Pacific Symphony, Buffalo Philharmonic, Johannesburg Philharmonic, Kwazulu-Natal Philharmonic, Stamford Symphony, and Bangor Symphony. Since making her orchestral debut at the Aspen Music Festival in 1997, she has performed with numerous orchestras across the country, such as the symphony orchestras of Colorado, Alabama, Knoxville, Rockford, and New York Youth Symphony. In Europe and in Asia, she has appeared at the Moritzburg Festival in Germany and with orchestras in Graz, Austria, Hong Kong, Singapore, and Korea, where she performed with the KBS Symphony, Seoul Philharmonic and Russian State Symphony Orchestra on tour.

Rachel has been profiled in The New Yorker, The Los Angeles Times, Family Circle, and The Strad. Her concerts have been broadcast on major media outlets in the U.S., Germany, Korea, South Africa, and Brazil, including a televised concert in Rio de Janeiro, numerous radio appearances on 98.7 WFMT Chicago radio, and American Public Media’s Performance Today. She been featured on the Disney Channel, “Fiddling for the Future” and “American Masters” on PBS, and the Grammy Awards.

Praised by the Chicago Tribune for her “irresistible panache,” Rachel Lee Priday enthralls audiences with her riveting stage presence and “rich, mellifluous sound.” The Baltimore Sun wrote, “It’s not just her technique, although clearly there’s nothing she can’t do on the fingerboard or with her bow. What’s most impressive is that she is an artist who can make the music sing… And though her tone is voluptuous and sexy where it counts, she concluded the ‘Intermezzo’ with such charm that her listeners responded with a collective chuckle of approval as she finished.”

She performs on a Nicolo Gagliano violin (Naples, 1760), double-purfled with fleurs-de-lis, named Alejandro.

People Involved: