Faculty Concert: John-Carlos Perea

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Ethnomusicologist John-Carlos Perea (Photo: Brandon James Yung).

Associate professor of ethnomusicology John-Carlos Perea presents a concert of cedar flute songs featuring arrangements of jazz standards by Coltrane, Ellington, Ayler, and Jordan. With special guests Jessica Bissett Perea (voice), Rose Martin (percussion, voice), Jess Pena Manalo (voice), and Marc Seales (piano).


Program

 Prayer Blossom 
(composed and arranged by Martin and Perea) 

Don’t Cry 
(powwow song learned from Dr. Bernard Hoehner-Peji, arranged for flute by Perea) 

The Photograph 
(learned from Hoehner-Peji) 

Ghosts 
(Albert Ayler, arranged for flute by Perea) 

Farther Along 
(learned from Mavis Staples, arranged by Peña Manalo and Perea) 

Smell of the Rain 
(Perea) 

Tattoo 
(Lewis Jordan) 

Blue Horse Special 
(powwow song learned from Hoehner-Peji, arranged for flute and voice by Bissett Perea and Perea in honor of Hoehner-Peji’s 100th birthday) 

Come Sunday 
(Duke Ellington, arranged for flute and piano by Seales and Perea) 

Song for Josephine 
(Perea, arranged for flute and piano by Seales and Perea) 

Naima 
(John Coltrane, arranged for flute, piano, and voice by Seales and Perea) 


Personnel

John-Carlos Perea 
cedar flutes, voice 

Jessica Bissett Perea 
voice 

Rose Martin 
percussion, voice 

Jess Peña Manalo 
voice 

Marc Seales 
piano


Thank You

Thanks to Jessica, Rose, Jess, and Marc for sharing sounds and space, the Perea and Hoehner families, student, staff, and faculty colleagues in the UW School of Music and American Indian Studies, flute builders Ken Light and Guillermo Martinez, Masaru Koga, Hafez Modirzadeh, Gary Stroutsos, Ann and Clark Tenakhongva and the Öngtupqa ensemble, and the students of Music 512, 251, 534, and 445 during the 2023-24 academic year. 


Biographies