You are here

Studio Jazz Ensemble and Modern Band

  • UW Studio Jazz Ensemble: Big Band, guitar player (photo: Steve Korn)

The Studio Jazz Ensemble performs big band arrangements and repertory selections. The Modern Band performs innovative arrangements of jazz standards, selections from the outer limits of the genre, and new original compositions.


Program

Modern Band
Cuong Vu, advisor

Suite No. 1: Modernity Ward .................................................................... arr. by Modern Band members
01:01
31:40
13:45
15:15
40:57
Colombian Horse, c. Jacob Lipp
Twenty-three

EJ Brannan, drums; Matt Camgros, drums; Trevor Eulau, guitar; Andrew Friedrich, guitar; Jacob Lipp, saxophone; Jacob Linden, piano; Beau Wood, bass


Studio Jazz Ensemble
Marc Seales, advisor

Groove Merchant:  Jerome Richardson Arr. by Thad Jones

Absotively : Unknown

A Tribute to Art Fern: Rob McConnell

Latin Dance: Bob Mintzer

The Way I Feel: Bob Mintzer

Saxophone
Liam Salas, lead
Leo Zhang
Imants Smidchens
Harlan Molitor

Trumpet
Colton Lindstrand, lead
Carlos Alvarez
Max Chastain
Brandon Cain

Trombone
Daniel Matsumoto, lead
Foster Patterson
Alex Weber
Rowan Bever

Rhythm Section
Gavin West, piano
Solomon Lurbell, bass, acoustic
Garrett Devereux, bass, electric
David Curcie, drums


Director Bios

Cuong Vu is widely recognized by jazz critics as a leader of a generation of innovative musicians. A truly unique musical voice, Cuong has lent his trumpet playing to a wide range of artists such as Pat Metheny, Laurie Anderson, and David Bowie.

As a youngster, Cuong's intense dedication and love for music led him to a full scholarship at the New England Conservatory of Music where he received his Bachelor of Music in Jazz studies with a distinction in performance. Transitioning from his studies in Boston, he moved to New York in 1994 and began his career actively leading various groups while touring extensively throughout the world. As a leader, Cuong has released eight recordings, each making critics’ lists of the 10 best recordings of their respective years and has received rave reviews from notable publications such as the New York Times, The New Yorker, Harper’s, the Guardian, BBC Music Magazine, JazzTimes and Downbeat. Each record displays how he has carved out a distinctive sonic territory as a trumpet player, blurring all stylistic borders while developing his own compositional aesthetic and sound world.

Awards and honors that Cuong has garnered include grants from the Royalty Research Foundation, the Donald E. Petersen Professorship, ArtistTrust, 4Culture, CityArts and the Colbert Award for Excellence.  Cuong is currently associate professor and chair of Jazz Studies at the University of Washington and was awarded the University of Washington's prestigious Distinguished Teacher Award in his third year on faculty. In 2002 and 2006, Cuong was a recipient of the Grammy for Best Contemporary Jazz Album as a member of the Pat Metheny Group. He’s been recognized as one of the top 50 Jazz Artists in an article called “The New Masters” from the British magazine, “Classic CD” and in 2006 was named the Best International Jazz Artist by the Italian Jazz Critics’ Society. Amazon listed Vu’s “Come Play With Me” on their “The 100 Greatest Jazz Albums of All Time.”

Marc Seales

A noted pianist, composer and leading figure in the Northwest jazz scene, Marc Seales has shared stages with many of the great players of the last two decades. He has played with nearly every visiting jazz celebrity from Joe Henderson and Art Pepper to Benny Carter, Mark Murphy, and Bobby Hutcherson. With the late Don Lanphere he performed in such places as London, England; Kobe, Japan; The Hague in the Netherlands; and the North Sea Jazz Festival.

The musicians he admires most are Herbie Hancock, Charlie Parker, John Lewis, John Coltrane, Miles Davis, and Wynton Kelly, though he is quick to acknowledge that he owes the basically be-bop/post be-bop sound of his playing to his mentors, Don Lanphere and Floyd Standifer.

Critics have praised Seales variously for his "meaty piano solos," and "blues inflected, Hancock-inspired modernism." Winner of numerous Earshot awards (Instrumentalist of the Year in 1999 and Acoustic Jazz Group in 2000 and 2001; Jazz Hall of Fame, 2009), Seales is today promoting jazz awareness and molding young talents as a Professor of Music at the University of Washington, where he is a professor in the Jazz Studies Program. He teaches an array of courses, including History of Jazz, Jazz Piano, and Beginning and Advanced Improvisation, as well as leading various workshops and ensembles.

Share