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ArtSci Roundup: Doce Sones para Doce Poetas / Twelve Songs for Twelve Poets, Thick as Mud exhibition opening, and more |
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ArtSci Roundup: Behzod Abduraimov, “Manzanar, Diverted” Screening and Director talk, and more |
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ArtSci Roundup: Democracy and the 2022 Midterm Elections, UW Dance Presents, Physics Slam, and more |
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ArtSci Roundup: January Preview |
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ArtSci Roundup: Gender & Protests in Iran panel; Languages of Angels performance; Belonging, Queer Relationality, & Black Women?s Labor talk, and more |
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Mukilteo Beacon: Interim conductor shares his passion for music |
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ArtSci Roundup: Book Talk with Cathy Davidson, Poetry with Ricardo Ruiz, Jazz Innovations with School of Music faculty and students, and more. |
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Autumn 2022 Student and Alumni Notes |
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Autumn 2022 Faculty Notes |
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Music alums return to teach, perform, inform |
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First Book Manuscript Award for Frederick Reece |
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Making Music in the Military |
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MICHAEL PARTINGTON: Johann Jakob Froberger: Suite XII in C Major I. Allemande |
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For percussionist Bonnie Whiting, any object can be an instrument |
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ArtSci Roundup: Grammy winner Morris Robinson, Washington State Poet Laureate Rena Priest, and more! |
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New faculty welcomed in 2022-23 |
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THEME lecture series kicks off on Oct. 7 |
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Passages: James Philip Sifferman (’75 BM, Piano Performance) |
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Summer 2022 Faculty Notes |
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Student Spotlight: Alexander Nam Nguyễn ('22 BM, Music Education) |
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Summer 2022 Student and Alumni Notes |
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Exit Interview: Jonathan Bernard, Music Theory |
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Passages: Cécile Farmer Casali ('10 BM, Voice) |
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Which Sinfonia: Melia Watras’s String Masks Ties Us Together, January 28, 2022: |
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The WholeNote: Review of Melia Watras: String Masks, March/April 2022 |
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