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First Book Manuscript Award for Frederick Reece |
November 3, 2022 |
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Making Music in the Military |
October 31, 2022 |
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MICHAEL PARTINGTON: Johann Jakob Froberger: Suite XII in C Major I. Allemande |
October 31, 2022 |
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For percussionist Bonnie Whiting, any object can be an instrument |
October 19, 2022 |
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ArtSci Roundup: Grammy winner Morris Robinson, Washington State Poet Laureate Rena Priest, and more! |
October 13, 2022 |
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New faculty welcomed in 2022-23 |
October 5, 2022 |
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THEME lecture series kicks off on Oct. 7 |
September 30, 2022 |
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Passages: James Philip Sifferman (’75 BM, Piano Performance) |
September 22, 2022 |
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Summer 2022 Faculty Notes |
September 22, 2022 |
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Student Spotlight: Alexander Nam Nguyễn ('22 BM, Music Education) |
September 22, 2022 |
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Summer 2022 Student and Alumni Notes |
September 21, 2022 |
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Exit Interview: Jonathan Bernard, Music Theory |
September 21, 2022 |
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Passages: Cécile Farmer Casali ('10 BM, Voice) |
September 21, 2022 |
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Which Sinfonia: Melia Watras’s String Masks Ties Us Together, January 28, 2022: |
September 21, 2022 |
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The WholeNote: Review of Melia Watras: String Masks, March/April 2022 |
September 21, 2022 |
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American Viola Society: Review of Melia Watras: String Masks, Summer 2022 |
September 20, 2022 |
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Kathryn Miller named interim Music and Arts Librarian |
August 25, 2022 |
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UW, a jewel of Seattle, shines in global academic ranking |
August 21, 2022 |
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Congratulations, School of Music Class of 2022 |
June 2, 2022 |
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Spring 2022 Faculty Notes |
June 1, 2022 |
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Spring 2022 Student and Alumni Notes |
June 1, 2022 |
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Passages: Emerson Elias Wahl, Alumnus, Percussion Studies |
June 1, 2022 |
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Exit Interview: Patricia Shehan Campbell |
June 1, 2022 |
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Singing through the pandemic: UW Choirs celebrate a year back from the pandemic |
May 30, 2022 |
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Meet Ethnomusicologist Christina Sunardi |
May 25, 2022 |