Students and faculty of the School of Music performance studios present music from across the ages in this digital-only concert series, special for Spring 2020.
The Heart's Reflection
Chamber Singers
by Daniel Elder
Richard Carrick, conductor
This performance was recorded on March 5, 2020 at Meany Center for the Performing Arts.
Richard is a doctoral student in choral conducting and is from the studios of Geoffrey Boers and Giselle Wyers.
Conductor Bio
Born in the San Francisco Bay Area, Richard Carrick is a conductor, singer, and educator. He is currently pursuing a D.M.A. in Choral Conducting from the University of Washington where he studies with Dr. Geoffrey Boers and Dr. Giselle Wyers. Richard completed his Bachelor of Arts degree in Music at California Polytechnic State University in San Luis Obispo. At Cal Poly, Richard studied conducting with Dr. Tom Davies and Voice from Jackie Bauer Kreitzer. During his time in San Luis Obispo he worked with the Central Coast Children’s Choir as the Apprentice Choir director and assistant director to the Boy’s Chorus. He also conducted the choirs at the Community Church of Atascadero. Richard Continued his education at the University of Oregon where he earned a M.M. in Choral Conducting under the direction of Dr. Sharon Paul. While at the University of Oregon, Richard continued to study voice with Eric Mentzel. Following his time in Oregon, Richard returned to his home town and worked with the San Francisco Boys Chorus as the Director of the Apprentice Choirs and served on the educational outreach team.
From 2012 until 2018 Richard lived in the Twin Cities and served as the Artistic Director of the South Metro Chorale and Artistic Director of Calliope Women's Chorus. He also served as Assistant Conductor of the Oratorio Society of Minnesota under the direction of Dr. Matthew Mehaffey. As a church musician, Richard served as Music Director at Hamline Church in St. Paul as well as Music Director at Glendale United Methodist Church. Richard taught music at Burroughs Community School and Hope Academy in Minneapolis, and operated a thriving private voice studio. Richard has sung professionally with the Minnesota Chorale and the Saint Paul Chamber Orchestra Chorale, the Oregon Bach Festival, and professional chamber choirs including Magpies and Ravens, and IMPLS.
Geoffrey Boers is Director of Choral Activities at the University of Washington in Seattle, a program widely recognized as forward thinking, unique, and of great distinction. Under his direction, the graduate choral program has developed a singular mission: to nurture the whole student as conductor-teacher-servant-leader-scholar. This vision has led the program to become one of the most vibrant and innovative in the country, attracting students from around the world interested in exploring the future of our art. Through his teaching he is exploring the evolution of conducting gesture and rehearsal pedagogy and their connection with the emerging neuroscience of mirror neurons, empathy, perception, learning, and personal transformation. His exploration has led to new thoughts about conducting and teaching with regard to breath, movement, artistry, personal awareness, and cultural development. Recently, his work has led to the mentoring of local choral cohorts of teachers and conductors who are interested in building professional communities of ongoing mentorship and musical development. He has developed such mentorship programs across the United States and Canada. In addition to these thoughts about mentorship he is actively working with other leaders in ACDA and NAfME to develop a more unified and useful system for development of musicianship, assessment, adjudication, and repertoire grading.
Geoffrey maintains an active conducting, teaching, workshop and clinic schedule; his recent engagements have included conducting concerts in Orchestra Hall in Minneapolis, Meyerson Concert Hall in Dallas, New York’s Alice Tully and Avery Fischer Hall at Lincoln Center, the Mormon Tabernacle in Salt Lake City, and Benaroya Hall in Seattle. In addition he has served as artist-in-residence in Toronto, Ontario, Mainz, Germany, as well as Seoul, Korea with the world-renown choir the Incheon City Chorale.
In addition to his position at the UW, Boers sings professionally and is the conductor of the Tacoma Symphony Chorus where he conducts both the choir and symphony players in a four-concert season.
Since his tenure at the University of Washington, the choral program has become a leader in promoting the performance, study and exchange of Baltic music in the United States. The choir has toured to the Baltic countries in 2000, 2005, 2010, and 2013. Geoffrey Boers was awarded a prestigious Royalty Research Grant in 2004 to create a Baltic Choral Library in collaboration with the UW Library as well as State and academic libraries in the Baltic. This collection of scores, manuscripts, vocal music, and writings is the first of its kind in the United States. This collection has promoted yearly exchanges with choirs and conductors from the Baltic area who travel each year to Seattle. Further, it has led to numerous UW choral students winning awards and scholarships to travel, study, and work in the Baltic countries.
Giselle Wyers (she/her/hers) is the Donald E. Petersen Endowed Professor of Choral Music at the University of Washington, where she conducts the award-winning University Chorale and teaches graduate and undergraduate courses in choral conducting and music education. She serves as the newly appointed School of Music's designated Diversity Liaison. University Chorale’s latest CD, Chasing Daybreak, will begin streaming in January 2024 on Apple Music and Spotify. Their third CD, Resonant Streams (on the MSR Music Recordings label) was featured in a 2018 Gramophone magazine article. Wyers is the newly appointed director of Concord Chamber Choir, an adult community chorus within the Columbia Choirs community. Her professional project choir Solaris Vocal Ensemble, specializes in the performance of contemporary American choral literature. Their premiere album Floodsongs, on the Albany Music label, won the American Prize Ernst Bacon Memorial Award for the Performance of American Music in 2017-18.
As a guest conductor, Wyers has led high school honor choirs and all-state choruses in New York (Alice Tully Hall, Lincoln Center), Kansas, Wisconsin, Georgia, Missouri, Louisiana, Connecticut, Nebraska, Texas, Washington, Alaska, Idaho, Nevada and Vancouver, Canada. She has conducted semi-professional ensembles across the United States and in Germany, the Netherlands, Estonia, and Sweden.
Wyers is a leading national figure in the application of Laban movement theory for conductors. She has served as guest lecturer in conducting at Sweden’s Örebro Universitet, European Festival of Church Music (Germany), Latvian Academy of Music, Eastman School of Music, Ithaca College, Westminster Choir College, University of Iowa, Hobart and William Smith Colleges and Portland State University.
Wyers’ choral works are published by Santa Barbara Music Publishing Company as part of the "Giselle Wyers Choral Series," as well as with MusicSpoke and Hildegard Publishing. Her works have been performed across the United States, South America, Canada, Australia, Cuba, and numerous European cities. She conducted her 30-minute choral cycle entitled And All Shall Be Well, in Carnegie Hall during May of 2022 with a consortium of NW-based choruses, and she will return with a newly composed choral/orchestral work in May of 2026. In 2021-22, she served as composer-in-residence for the Greater Seattle Choral Consortium's annual festivities celebrating the return of in-person singing (her appearance was sponsored by Consortio). Wyers is also committed to mentoring scholar-writers in the field, and served on the editorial board of ACDA’s Choral Journal for six years.