Chamber Singers

Geoffrey Boers conducts the UW Chamber Singers (photo: Steve Korn).
Geoffrey Boers conducts the UW Chamber Singers (photo: Steve Korn).
Chamber
Chamber Singers rehearsal, Winter 2020 (Photo: Timothy Little Tran).
Geoffrey Boers conducts the UW Chamber Singers (photo: Steve Korn).
The UW Chamber Singers is a professional-level auditioned choir at the School of Music, directed by Geoffrey Boers (Photo: Steve Korn).

The Uni­ver­sity of Wash­ing­ton Cham­ber Singers is the School of Music's most advanced choral ensemble consisting of graduate conducting and voice majors, as well as advanced undergraduates from across many academic disciplines. 

Estab­lished as the Madri­gal Singers in the 1930’s under the direc­tion of com­poser Ger­ald Kech­ley, the group gained recog­ni­tion through its notable con­duc­tors Rod­ney Eichen­berger and Joan Con­lon and will celebrate its one hundredth birthday soon. 

Acclaimed for its vocal prowess and artis­tic expres­sion, the choir focuses on per­form­ing chal­leng­ing reper­toire of all peri­ods with par­tic­u­lar empha­sis on per­form­ing diverse music of our time. Recently the choir has performed Whitacre’s Sacred Veil, Berko’s Sacred Place, and with the UW Chorale Britten’s War Requiem, and Runestad’s Earth Symphony, among many others. 

The choir continues a long tradition of collaborations with professional ensembles, with recent performances of Monteverdi’s Vespers, and Handel’s Messiah with Stephen Stubbs and Pacific Musicworks orchestra. In 2026, the choir collaborated with Seattle Bach Festival Orchestra in performances of Bach’s Magnificat, and Reena Esmail’s This Love Between Us. 

Every three years the Chamber Singers join the UW Chorale, directed by Dr. Giselle Wyers, to tour internationally. The choirs tour again in the summer of 2007 with a series of concerts in Ireland and the Republic of Ireland.

Auditions

Contact Dr. Boers at boersg@uw.edu for more information. 

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Geoffrey Boers, director of Choral Activites at the UW and conductor of the Tacoma Symphony Chorus, is lead organizer of a collaboration by several regional arts education and performance organizations this March presenting “Passion, Compassion, Empassion,” a celebration of the enduring influence of J.S. Bach’s Passions on modern-day scholars, performers, and composers. The…
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Last week, in the hands of conductor and artistic director Stephen Stubbs, Pacific MusicWorks performed Handel‘s Messiah as close to the way Handel and his forces originally performed it over 270 years ago as modern scholarship could achieve. Composed over just 24 days, the Messiah was first performed in 1742 at the Music Hall in Fishamble Street,…
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