University Chorale and Chamber Singers present a concert in celebration of creativity, play, and bold ideas, as well as the courageous forces that energize artistry, work and life.
Program
UNIVERSITY OF WASHINGTON CHORALE
Dr. Giselle Wyers, Conductor
Assistant Conductors: Julianna Grabowski, Nic Renaud, Chung-An Wang, Helen Woodruff
Collaborative Pianist: Serena Chin
Rehearsal collaborative pianists: Serena Chin, Ingrid Verlhulsdonk
Repertoire
A Morn for Life: Giselle Wyers
Red (from Spectrum): Sally Whitwell
Gloria (Movement I): Francis Poulenc
Group Composition Small Group Projects:
The Tempest: Sophia Peterson, Katelyn Wales, Mallak Atwater, Anne Tinker, Maddie Rivera, Eric Gagliano, Haoran Peng, Will Cummings, & Kwabena Ledbetter
Went to the Woods: Kirsten Conover, Jolee Zamira, Samara Chacko, Jessica Thaxton, Ariel Baldwin, Armour Johnson, Tyler Santos, Jack Hawley, Felix Solem, & Will Henry
Woven: Lauren Chenoweth, Anya Riabov, Evelyn Jones, Juniper Blessing, Sydney Jordan, Braden Innes, Colin Loerkhe, Mario D’Ambrosio, & Thayden Boome
The Stars: Sofia Groff, Tina Amrith, Hope Villareal, Emily Dong, Alex Retteghieri, Michael Lim, Luke Van Sickle, Robert Troyan, & Paul Orekhov
Auass: Alex Vollant
Soloist and Drummer: Thayden Boome
Brave: Sara Bareilles
Soloists: Jolee Zamira, Mallak Attwa, & Samara Chacko
Electric Bass: Satvik Saxena
Cajon: Michael McKenzie
UNIVERSITY OF WASHINGTON CHAMBER SINGERS
Dr. Geoffrey Boers, Conductor
Assistant Conductors: Michael McKenzie, Scott Fiske, Tatiana Boggs
Collaborative Pianist: Serena Chin
Repertoire
Kyrie and Prayer: Ugis Praulinš
Alleluia: Transcr. Eric Whitacre
When David Heart: Thomas Tomkins
Heaven’s Flockk: Eriks Ešenvalds
All is Miracle: Kevin Pedersen
Soloists: Maddie Rivera and Lameya Appling
COMBINED CHOIRS
Excerpts from Considering Matthew Sheppard : Craig Hella Johnson
Fire of the Ancient Heart
Giselle Wyers, Conductor
Percussion: Soren Fosnick Davis
All of Us
Geoffrey Boers, Conductor
Percussion: Soren Fosnick Davis
Program Background
University Chorale
UW Chorale’s “courage and creation” takes new form by way of new compositions this quarter! We sought to answer the question, could a community of singers without background in classical composition collaborate to compose a musical work, in small groups? With mentorship from composer Giselle Wyers and the graduate student assistant conductors, four out of the seven groups have chosen to share the results of this experiment with an audience today! Each group discovered or created their own text built around the theme of “courage and creation,” . Students then improvised and crafted unique melodies
to fit the lines of text, and finally imagined and described harmonic and textural ideas to enhance the expressive impact of the piece. Enjoy these new premieres!
--Giselle Wyers
Chamber Singers
The Chamber Singers present four works and highlight the UW's talented doctoral conductors. Michael McKenzie opens the program with a movement of Latvian composer Ugis Praulinš’ Missa Regeņsiš, or Mass for Riga, which is the capital of Latvia. This stunning work is followed by a choral transcription of an orchestral work, Alleluia, by Eric Whitacre. Conducted by Geoffrey Boers, the rich orchestration of his piece October was set for voices using a single word, Alleluia. Scott Fikse then leads the singers in Renaissance composer Thomas Tomkins’ wrenching motet, When David Heard, a story about King David and his reaction to learning that his son had been killed. Finally, Tatiana Boggs conducts All is Miracle, a moving new work that draws our attention to the simple things in life to be grateful for. The concert concludes by joining the choirs together with two “sneak peaks” into the Chorale and Chamber Singers’ upcoming collaboration with Seattle university—Considering Matthew Shepard. This work, to be performed at Meany Center on March 3, is a monumental creation by composer Craig Hella Johnson. The 100-minute Oratorio tells the story of the killing of Matthew Shepard, a hate crime that occurred in Casper, Wyoming in 1998. It is a dramatic, powerful story of hope and offers an opportunity to “consider” a better world.
--Geoffrey Boers
Translations
Poulenc: Gloria (Sung in Latin)
Glory to God in the highest
And on earth peace, goodwill to all people.
Auass: by Alex Vollant (Sung in First Nations "Innu" language)
Child, come and tell me what they did to you.
Child, don't be scared; I will never hurt you.
Child, tomorrow will be brighter.
Director Biographies
Geoffrey Boers is Director of Choral Activities at the University of Washington in Seattle, a program widely recognized as forward thinking, unique, and of great distinction. Under his direction, the graduate choral program has developed a singular mission: to nurture the whole student as conductor-teacher-servant-leader-scholar. This vision has led the program to become one of the most vibrant and innovative in the country, attracting students from around the world interested in exploring the future of our art. Through his teaching he is exploring the evolution of conducting gesture and rehearsal pedagogy and their connection with the emerging neuroscience of mirror neurons, empathy, perception, learning, and personal transformation. His exploration has led to new thoughts about conducting and teaching with regard to breath, movement, artistry, personal awareness, and cultural development. Recently, his work has led to the mentoring of local choral cohorts of teachers and conductors who are interested in building professional communities of ongoing mentorship and musical development. He has developed such mentorship programs across the United States and Canada. In addition to these thoughts about mentorship he is actively working with other leaders in ACDA and NAfME to develop a more unified and useful system for development of musicianship, assessment, adjudication, and repertoire grading.
Geoffrey maintains an active conducting, teaching, workshop and clinic schedule; his recent engagements have included conducting concerts in Orchestra Hall in Minneapolis, Meyerson Concert Hall in Dallas, New York’s Alice Tully and Avery Fischer Hall at Lincoln Center, the Mormon Tabernacle in Salt Lake City, and Benaroya Hall in Seattle. In addition he has served as artist-in-residence in Toronto, Ontario, Mainz, Germany, as well as Seoul, Korea with the world-renown choir the Incheon City Chorale.
In addition to his position at the UW, Boers sings professionally and is the conductor of the Tacoma Symphony Chorus where he conducts both the choir and symphony players in a four-concert season.
Since his tenure at the University of Washington, the choral program has become a leader in promoting the performance, study and exchange of Baltic music in the United States. The choir has toured to the Baltic countries in 2000, 2005, 2010, and 2013. Geoffrey Boers was awarded a prestigious Royalty Research Grant in 2004 to create a Baltic Choral Library in collaboration with the UW Library as well as State and academic libraries in the Baltic. This collection of scores, manuscripts, vocal music, and writings is the first of its kind in the United States. This collection has promoted yearly exchanges with choirs and conductors from the Baltic area who travel each year to Seattle. Further, it has led to numerous UW choral students winning awards and scholarships to travel, study, and work in the Baltic countries.
Giselle Wyers (she/her/hers) is the Donald E. Petersen Endowed Professor of Choral Music at the University of Washington, where she conducts the award-winning University Chorale and teaches graduate and undergraduate courses in choral conducting and music education. She serves as the newly appointed School of Music's designated Diversity Liaison. University Chorale’s latest CD, Chasing Daybreak, will begin streaming in January 2024 on Apple Music and Spotify. Their third CD, Resonant Streams (on the MSR Music Recordings label) was featured in a 2018 Gramophone magazine article. Wyers is the newly appointed director of Concord Chamber Choir, an adult community chorus within the Columbia Choirs community. Her professional project choir Solaris Vocal Ensemble, specializes in the performance of contemporary American choral literature. Their premiere album Floodsongs, on the Albany Music label, won the American Prize Ernst Bacon Memorial Award for the Performance of American Music in 2017-18.
As a guest conductor, Wyers has led high school honor choirs and all-state choruses in New York (Alice Tully Hall, Lincoln Center), Kansas, Wisconsin, Georgia, Missouri, Louisiana, Connecticut, Nebraska, Texas, Washington, Alaska, Idaho, Nevada and Vancouver, Canada. She has conducted semi-professional ensembles across the United States and in Germany, the Netherlands, Estonia, and Sweden.
Wyers is a leading national figure in the application of Laban movement theory for conductors. She has served as guest lecturer in conducting at Sweden’s Örebro Universitet, European Festival of Church Music (Germany), Latvian Academy of Music, Eastman School of Music, Ithaca College, Westminster Choir College, University of Iowa, Hobart and William Smith Colleges and Portland State University.
Wyers’ choral works are published by Santa Barbara Music Publishing Company as part of the "Giselle Wyers Choral Series," as well as with MusicSpoke and Hildegard Publishing. Her works have been performed across the United States, South America, Canada, Australia, Cuba, and numerous European cities. She conducted her 30-minute choral cycle entitled And All Shall Be Well, in Carnegie Hall during May of 2022 with a consortium of NW-based choruses, and she will return with a newly composed choral/orchestral work in May of 2026. In 2021-22, she served as composer-in-residence for the Greater Seattle Choral Consortium's annual festivities celebrating the return of in-person singing (her appearance was sponsored by Consortio). Wyers is also committed to mentoring scholar-writers in the field, and served on the editorial board of ACDA’s Choral Journal for six years.