Rachel Lee Priday, violin; Timo Andres, piano

Tuesday, May 19, 2020 - 7:30pm
$20 ($10 students/seniors)
Timo Andres and Rachel Friday (Photo: Courtesy Rachel Friday).
Timo Andres and Rachel Friday (Photo: Courtesy Rachel Friday).

Violinist Rachel Lee Priday,  newly appointed assistant professor in the UW Strings program, collaborates with pianist/composer Timo Andres in a program of works by Stravinsky, Wolfe, Andres, Holcomb, Copland, and others.

Program

Stravinsky: Duo Concertant
Cerrone: Violin Sonata
Wolfe: Mink Stole
Andres: Three Suns, for Solo Violin (World Premiere)
Holcomb: wherein lies the good, for Solo Piano
Copland: Violin Sonata


Artist Bios

Timo Andres

Timo Andres is a composer and pianist who grew up in rural Connecticut and lives in Brooklyn, NY. A Nonesuch Records artist, his album of orchestral works, Home Stretch, has been hailed for its “playful intelligence and individuality,” (The Guardian) and of his 2010 debut album for two pianos Shy and Mighty (performed by himself and duo partner David Kaplan), Alex Ross wrote in TheNew Yorkerthat “it achieves an unhurried grandeur that has rarely been felt in American music since John Adams came on the scene… more mighty than shy, [Andres] sounds like himself.”

Notable works include Everything Happens So Much for the Boston Symphony with Andris Nelsons; Strong Language, a string quartet for the Takács Quartet, commissioned by Carnegie Hall and the Shriver Hall Concert Series; Steady Hand, a two-piano concerto commissioned by the Britten Sinfonia and premiered at the Barbican with Andres and pianist David Kaplan; and The Blind Banister, a piano concerto for Jonathan Biss, which was a 2016 Pulitzer Prize Finalist.

As a pianist, Timo Andres has appeared with the LA Phil, North Carolina Symphony, the Britten Sinfonia, the Albany Symphony, New World Symphony, and in many collaborations with Andrew Cyr and Metropolis Ensemble. He has performed solo recitals for Lincoln Center, Wigmore Hall, San Francisco Performances, the Phillips Collection, and (le) Poisson Rouge. Among others, Andres has collaborated with Ted Hearne, Becca Stevens, Jeffrey Kahane, Gabriel Kahane, Brad Mehldau, Nadia Sirota, the Kronos Quartet, the LA Dance Project, John Adams, and Philip Glass, with whom he has performed the complete Glass Etudes around the world, and who selected Andres as the recipient of the City of Toronto Glenn Gould Protégé Prize in 2016.

 

Recent and upcoming projects include a new work for the Calder Quartet through the LA Phil, premiered at Noon to Midnight; a major choral-orchestral work for the Orchester Cottbus Staatstheater, Land Mass; orchestrations for Sufjan Stevens and New York City Ballet for Justin Peck’s “Principia”; and dates at the Elbphilharmonie Hamburg, the Neue Galerie, and the Big Ears Festival with vocalist Theo Bleckmann. In November 2019, Andres curates (and performs in) “American Perspective,” a concert with the Cincinnati Symphony, André de Ridder, Dance Heginbotham, and cellist Inbal Segev, playing his concerto, Upstate Obscura. In April 2020, Carnegie Hall presents him in a piano recital at Zankel Hall, playing works by himself, John Adams, Nico Muhly, Robin Holcomb, Philip Glass, Donnacha Dennehy, Louis Andriessen, and the world premiere of a commissioned work by Gabriella Smith.

Timo Andres earned both his bachelor’s and master’s degrees from the Yale School of Music. He is a Yamaha/Bösendorfer Artistand in 2018 joined the composition faculty at Mannes School of Music.

Rachel Lee Priday, violin


Violinist RACHEL LEE PRIDAY (PRY-day) is a passionate and inquisitive explorer in all her musical ventures, in search of contemporary relevance when performing the standard violin repertoire, and in discovering and commissioning new works. Her wide-ranging repertoire and eclectic programming reflect a deep fascination with literary and cultural narratives.

Rachel Lee Priday has appeared as soloist with major international orchestras, including the Chicago, Saint Louis, Houston, Seattle, and National Symphony Orchestras, the Boston Pops, and the Berlin Staatskapelle. Recital appearances have brought her to eminent venues including the Mostly Mozart Festival at Lincoln Center, Musée du Louvre, Verbier Festival, Ravinia Festival and Dame Myra Hess Memorial Series in Chicago, Mecklenburg-Vorpommern Festival in Germany, and tours of South Africa and the United Kingdom.

Committed to new music, and making enriching community and global connections, Rachel takes a multidisciplinary approach to performing that lends itself to new commissions organically merging poetry, dance, drama, stimulating visuals and music. Recent seasons have seen a new Violin Sonata commissioned from Pulitzer Prize Finalist Christopher Cerrone and the premiere of Matthew Aucoin’s “The Orphic Moment” in an innovative staging that mixed poetry, drama, visuals, and music. Rachel has collaborated several times with Ballet San Jose, and was lead performer in “Tchaikovsky: None But The Lonely Heart” during a week-long theatrical concert with Ensemble for the Romantic Century at the Brooklyn Academy of Music (BAM). Her work as soloist with the Asia America New Music Institute promoted new music relationships and cultural exchange between Asia and the Americas, combining new music premieres and educational outreach in the US, China, Korea and Vietnam. 

Rachel began her violin studies at the age of four in Chicago. Shortly thereafter, she moved to New York to study with iconic pedagogue Dorothy DeLay, and continued her studies at the Juilliard School Pre-College Division with Itzhak Perlman. Rachel holds a B.A. degree in English from Harvard University and an M.M. from the New England Conservatory, where she studied with Miriam Fried. Since Fall 2019, she serves as Assistant Professor of Violin at the University of Washington School of Music.

Recent and upcoming concerto engagements include the Pacific Symphony, Buffalo Philharmonic, Johannesburg Philharmonic, Kwazulu-Natal Philharmonic, Stamford Symphony, and Bangor Symphony. Since making her orchestral debut at the Aspen Music Festival in 1997, she has performed with numerous orchestras across the country, such as the symphony orchestras of Colorado, Alabama, Knoxville, Rockford, and New York Youth Symphony. In Europe and in Asia, she has appeared at the Moritzburg Festival in Germany and with orchestras in Graz, Austria, Hong Kong, Singapore, and Korea, where she performed with the KBS Symphony, Seoul Philharmonic and Russian State Symphony Orchestra on tour.

Rachel has been profiled in The New Yorker, The Los Angeles Times, Family Circle, and The Strad. Her concerts have been broadcast on major media outlets in the U.S., Germany, Korea, South Africa, and Brazil, including a televised concert in Rio de Janeiro, numerous radio appearances on 98.7 WFMT Chicago radio, and American Public Media’s Performance Today. She been featured on the Disney Channel, “Fiddling for the Future” and “American Masters” on PBS, and the Grammy Awards.

Praised by the Chicago Tribune for her “irresistible panache,” Rachel Lee Priday enthralls audiences with her riveting stage presence and “rich, mellifluous sound.” The Baltimore Sun wrote, “It’s not just her technique, although clearly there’s nothing she can’t do on the fingerboard or with her bow. What’s most impressive is that she is an artist who can make the music sing… And though her tone is voluptuous and sexy where it counts, she concluded the ‘Intermezzo’ with such charm that her listeners responded with a collective chuckle of approval as she finished.”

She performs on a Nicolo Gagliano violin (Naples, 1760), double-purfled with fleurs-de-lis, named Alejandro.

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