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Halloween Organ Concert

Monday, October 30, 2023 - 7:30pm
FREE
Stephen Price, UW organ faculty

It’s Alive! The ever-popular Halloween Organ Concert rises from the dead with the arrival of Dr. Stephen Price, the UW’s inaugural Paul B. Fritts Faculty Fellow, who joins with friends to host a program of spooky organ classics and Halloween fun. With Melia Watras, Wyatt Smith, Trey Wheeler, Karen Haining, Emily Chua, and Stephen Price. 


Program

Toccata and Fugue in D minor, BWV 565 – Johann Sebastian Bach (1685-1750)
Wyatt Smith 

In The Hall of the Mountain King (from Peer Gynt Suite) – Edvard Grieg (b.1843-1907)
Salamanca (from 'Trois Préludes Hambourgeois') Guy Bovet (b.1942)
Stephen Price

Hebräisches Wiegenlied, Op. 35, No. 2 (Hebrew Lullaby) – Joseph Achron (1886-1943)
Après un rêve, Op. 7, No. 1 (After a dream) – Gabriel Fauré (1845-1924)
Lied for Viola and Organ, Op. 2, No. 5 – Toivo Kuula (1883-1918)
Improvisation – Watras/Price
Melia Watras, viola and Stephen Price

Pastorale
From 24 Pièces en style libre, Op.31 – Louis Vierne (1870-1937)
Karen Haining

Arabesque
From 24 Pièces en style libre, Op.31 – Louis Vierne (1870-1937)
Emily Chua

*Pumpkin Carol: “The Twelve Days of Halloween”
"Empty Chairs at Empty Tables" from Les Miserables, music by Claude-Michel Schönberg, lyrics by Alain Boublil & Herbert Kretzmer.
Trey Wheeler
*Audience Participation

Selections from Star WarsJohn Williams (b. 1932) Arr. by Tony Esposito
Stephen Price

Präludium in f-sharp minor, BuxWV 146 – Dieterich Buxtehude (1637-1707)
Wyatt Smith


Biographies

Emily Chau

Emily Chua is in her final year at the UW, completing her studies in music and math. Her primary instrument is the piano; besides performing, she teaches and accompanies other musicians. She is also a part of the School of Music Student Advisory Council, which works to improve student quality of life and promote student collaboration with school leadership. Emily's interest in music extends beyond the applied, and she has taken classes in music education and music law.
 
Most recently, Emily has performed with the Sammamish Symphony Orchestra, Music for Charity at UW, at University Chorale's annual cabaret, and at the UW's annual Undergraduate Composers Concert, encompassing a variety of genres. She anticipates continued performances and collaborations this year. In her free time, Emily enjoys transcribing or arranging pop music and OSTs for piano, or learning new instruments. This is her first performance on the organ.
 

Karen Haining

Karen Haining is a fourth-year student at the University of Washington working towards her B.M. Piano Performance and B.S. Computer Science. She currently studies piano with Dr. Robin McCabe and recently began studying organ with Dr. Stephen Price. In the past, Karen has received top prizes at local piano competitions, including the Chopin NW Festival, the Russian Piano Festival, and more, and has performed live on Classical King FM. Outside of solo works, Karen enjoys playing in chamber ensembles and as a collaborative pianist. Karen loves trying new things and is excited for the opportunity to venture into the world of organ!

Wyatt Smith

Hailed as a performer with “nuance, polish, and personality” (Michael Barone, APM Pipedreams), Wyatt Smith is an American concert organist appearing in both solo and collaborative performances throughout the United States and Europe, performing repertoire spanning from old masters to major works by living composers. Wyatt has performed in 28 states of the USA, along with Germany, France, and England.
 
An advocate of new music for the organ, Wyatt has commissioned and premiered works by Emma Lou Diemer, Margaret Sandresky, Pamela Ruiter-Feenstra, Carson Cooman, Craig Phillips, Kurt Knecht, and more. These commissions include works based on chants and chorales, programmatic pieces, and chamber music.
Wyatt Smith holds degrees in organ performance from the University of Washington (DMA), Yale University (MM), and the University of South Dakota (BM). His primary mentors include Dr. Carole Terry, Dr. Martin Jean, and Dr. Larry Schou. He is represented by Seven Eight Artists.

Trey Wheeler

Trey Wheeler is currently in his senior year at UW and come June he’ll graduate with Bachelor of Music in both Music Education and Vocal Performance. Currently, Trey is anticipating an upcoming show he’s involved with called ‘Let’s All Drink and Do Broadway”. In March he will have his Senior Voice Recital, singing works by Schumann, Ravel, Sondheim and more. Trey will finish his educational career by student teaching full-time in a high school choir classroom. He is also excited about the many opportunities to come after college.

Artist in Residence Stephen Price, Organ

STEPHEN “Stef” C. PRICE recently joined the music faculty at the University of Washington (Seattle) as the inaugural Paul B. Fritts Faculty Fellow and Artist-in-Residence and head of organ studies beginning in September 2023. Dr. Price teaches Organ performance, Church music, and Keyboard Harmony courses. In addition, he leads ongoing initiatives toward the development and revitalization efforts of the UW program, continuing the legacy of his predecessor, Dr. Carole Terry.

Several initiatives have taken place under his leadership, including reinstating the Annual Walker-Ames Halloween Organ Concert, organizing masterclasses by nationally renowned guest artists, and leading University projects connecting donors to the Organ program and School of Music. Dr. Price also organizes yearly rental agreements with Seattle churches and the School of Music, allowing students to utilize the eclectic range of organs available in the city.

In the formative years of study, he served on the music ministry staff at Pleasant Grove Missionary Baptist Church and as an Organ Scholar at St. Paul's Episcopal Cathedral in Buffalo, New York. Subsequently, he attended Western Connecticut State University (Danbury, CT) and concurrently served as Organ Scholar at St. Paul's Episcopal Church on the Green (Norwalk, CT). Following undergraduate studies, he received a Fulbright Scholarship to Toulouse, France, where he studied "Historical and Modern" performance practices of French Organ Music. Upon returning to the States, he enrolled at the Jacobs School of Music at Indiana University (Bloomington, IN), receiving the Master of Music and Doctor of Music degrees.

 In addition, he competed and garnered awards in international competitions, including the Franz Schmidt Organ Competition (Austria), the André Marchal Organ Competition (France), and the Canadian International Organ Competition (Montreal).

 Following his graduate studies, he accepted a full-time position as Associate Director of Music and Organist at First United Methodist Church, San Diego, California (2015-17). He then received an Assistant Teaching Professorship at Ball State University (Muncie, IN). During his appointment (2018-2023), he taught Organ performance, Church music, Music History, and Music Theory courses. In addition, he served as coordinator for the Sursa American Organ Competition, a national event open to High School and Pre-Professional organists hosted at Ball State.

 His professional activity includes presentations on Pedagogy, Organ Literature, and Hymn Playing for Chapters of the American Guild of Organists. As a performer, he has given concerts around the U.S., including the recent premiere of Psalm 23 for Organ, composed by Dr. Eurydice Osterman for the 2024 AGO National Convention in San Francisco. He has participated as a juror for competitions, including the National Organ Playing Competition (Fort Wayne, IN); the Strader Organ Scholarship Competition (University of Cincinnati); and the 2024 Barlow Prize Endowment for Music Competition – Organ (Snowbird, UT).

 The 2024-2025 season includes appearances at Christ Church Anglican Cathedral (Victoria, B.C.), Blessed Sacrament Catholic Church (Seattle, WA), Loyola University (Chicago, IL), and a juror for the Taylor National Organ Competition (Atlanta, GA). Additionally, Michael Barone has featured recordings and live performances on the Pipedreams Broadcast on NPR.

 Teachers: Andrew Scanlon, Stephen Roberts, Vince Edwards, Michel Bouvard, Jan Willem Jansen, Bruce Neswick, Wilma Jensen, and Janette Fishell.

 Dr. Price’s debut album, Paris Impact Organ Suites, is released on the Raven recording label. He is represented by Seven Eight Artists: SevenEightArtists.com/price

Melia Watras (Photo: Michelle Smith Lewis)

Melia Watras has been hailed by Gramophone as “an artist of commanding and poetic personality” and by The Strad as “staggeringly virtuosic.” As a violist, composer and collaborative artist, she has sustained a distinguished career as a creator and facilitator of new music and art.

The 2024-25 season includes the releases of three recordings featuring her music: her latest album as violist/composer, The almond tree duos; Michael Jinsoo Lim’s solo violin album Kinetic, which features three works by Watras; and Atar Arad’s Partita Party, which includes Watras’s Sarabanda for solo viola. Several world premieres are also waiting in the wings: Broken Bell, a dramatic setting of her compositions within a play written by Sean Harvey, a solo violin work commissioned by baroque violinist Tekla Cunningham, and a new piece by Ha-Yang Kim commissioned by Watras.

Watras’s much-lauded work as a recording artist spans nearly three decades. The WholeNote notes that her album Play/Write “unfolds an exquisite world in which beauty and dreams flirt with sorrow.” String Masks, a collection of her own compositions including the titular work which utilizes Harry Partch instruments, was praised for “not only the virtuoso’s sensitive playing, but also her innovative and daring spirit,” by the Journal of the American Viola Society. Her compositional debut album, Firefly Songs, was hailed for “distilling rich life experiences into strikingly original musical form” by Textura. Schumann Resonances was described by the American Record Guide as “a rare balance of emotional strength and technical delicacy.” The Strad called 26 “a beautiful celebration of 21st century viola music.” Ispirare made numerous Best of 2015 lists, including the Chicago Reader’s (“Watras knocked the wind out of me with the dramatically dark beauty of this recording”). Short Stories was a Seattle Times Critics’ Pick, with the newspaper marveling at her “velocity that seems beyond the reach of human fingers.” Of her debut solo CD (Viola Solo), Strings praised her “stunning virtuosic talent” and called her second release (Prestidigitation) “astounding and both challenging and addictive to listen to.”  

Watras’s compositions have been performed in US cities such as New York, Chicago, Los Angeles, Seattle, Bloomington (IN), and countries including Denmark, Spain, Switzerland, and Wales. She has been commissioned by the American Viola Society, the Avalon String Quartet, violinists Tekla Cunningham, Mark Fewer, Rachel Lee Priday and Michael Jinsoo Lim, cellist Sæunn Thorsteinsdóttir, pianist Cristina Valdés, accordionist Jeanne Velonis, violist Rose Wollman, and has had works performed by artists such as violist Atar Arad, singer Galia Arad, pianist Winston Choi, Harry Partch Instrumentarium Director Charles Corey, violinists Manuel Guillén and Yura Lee, vocalist Carrie Henneman Shaw, percussionist Bonnie Whiting and the ensemble Frequency. Her music has been heard on National Public Radio’s Performance Today, and can be found on the albums The almond tree duos; Kinetic; Partita Party; Play/Write; String Masks; 3 Songs for Bellows, Buttons and Keys; Firefly Songs; Schumann Resonances and 26. Watras’s adaptation of John Corigliano’s Fancy on a Bach Air for viola is published by G. Schirmer, Inc. and can be heard on her Viola Solo album.

For twenty years, Watras concertized worldwide and recorded extensively as violist of the renowned Corigliano Quartet, which she co-founded. The quartet appears on 13 albums, including their recording on the Naxos label, which was honored as one of the Ten Best Classical Recordings of the Year by The New Yorker.

Melia Watras studied with Atar Arad at Indiana University, earning Bachelor’s and Master’s degrees and the prestigious Performer’s Certificate. While at Indiana, Watras began her teaching career as Professor Arad’s Associate Instructor, and was a member of the faculty as a Visiting Lecturer. She went on to study chamber music at the Juilliard School while serving as a teaching assistant to the Juilliard String Quartet.

Watras is currently Professor of Viola and Chair of Strings at the University of Washington, where she holds the Ruth Sutton Waters Endowed Professorship. In 2024, the American Viola Society presented Watras with the Maurice W. Riley Award, for her distinguished contributions to the viola as a performer, composer, teacher and leader.

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