Music of Today: DXARTS

Thursday, April 6, 2017 - 7:30pm
$15 ($10 students/seniors)
Abstract modern background

The Center for Digital Arts and Experimental Media (DXARTS), in collaboration with the School of Music, presents an evening of digital music and performance by DXARTS and School of Music faculty, including "Hemispheres" by Juan Pampin for EEG performer and 3D audio projection, and works by Richard Karpen and Stuart Dempster.

 

Read More at the Seattle Times

Read More at UW Today


PROGRAM DETAIL

Richard Karpen: "Human Subject", for Disklavier controlled via EEG and EMG.

Stuart Dempster, Richard Karpen, Juan Pampin: “Cisternization,” an improvisation for piano, trombone and live electronics using the virtual acoustics of the Dan Harpole Cistern at Fort Worden State Park.

Juan Pampin:  “Hemispheres” or EEG and 3D sound projection
Stuart Dempster, performer.

 

Juan Pampin

Juan Pampin (b. Buenos Aires, 1967) is Associate Professor of composition at University of Washington and founding faculty member of the Center for Digital Arts and Experimental Media (DXARTS) for which he currently serves as Associate Director.

Pampin received an MA in Composition from Conservatoire National Supérieur de Musique de Lyon, France and a DMA in Composition from Stanford University, where he studied with composer Jonathan Harvey. Juan Pampin's works explore the territory articulated by the concepts of space, memory, and material, using algorithmic composition and signal processing tools of his own development.

Juan Pampin's music compositions, including works for instrumental, digital, and mixed media, have been performed around the world by world-class soloists and ensembles. His work "On Space" –for percussion sextet and 3D electronic sounds– has been recently released on CD as part of Les Percussions de Strasbourg 50th anniversary historical edition box published by Universal France.

Richard Karpen

Richard Karpen is a composer and researcher in multiple areas music and the arts. His compositions for both electronic media and live performance are widely known, recorded, and performed internationally. Over the last 30 years he has also been one of the leading pioneers in the development of computer applications for music composition, interactive performance, and sonic arts. He has recently returned to the stage as a pianist.

Karpen is currently Director of the School of Music at the University of Washington where he is also a Professor of Music Composition. He previously served at the UW as Divisional Dean for Research in the College of Arts and Sciences and Founding Director of the Center for Digital Arts and Experimental Media (DXARTS). He has been the recipient of many awards, grants, and prizes including those from the National Endowment for the Arts, the ASCAP Foundation, the Bourges Contest in France, and the Luigi Russolo Foundation in Italy. Fellowships and grants for work outside of the United States include a Fulbright to Italy, a residency at IRCAM in France, and a Leverhulme Visiting Fellowship to the United Kingdom. He received his doctorate in composition from Stanford University, where he also worked at the Center for Computer Research in Music and Acoustics (CCRMA). Karpen is a native of New York, where he studied composition with Charles Dodge and Gheorghe Costinescu.

Karpen has composed works for many leading international soloists such as soprano Judith Bettina, violist Garth Knox, trombonist Stuart Dempster, flutists Laura Chislett and Jos Zwaanenberg, guitarist Stefan Ostersjo, and oboist Alex Klein. Along with numerous concert and radio performances, his works have been set to dance by groups such as the Royal Danish Ballet and the Guandong Dance Company of China. Karpen's compositions have been recorded on a variety of labels including Wergo, Centaur, Neuma, Le Chant du Monde, DIFFUSION i MeDIA, Fleur du Son, and Capstone.

Stuart Dempster

Stuart Dempster, sound gatherer, trombonist, composer, didjeriduist, et al, and professor emeritus at University of Washington, has recorded for numerous labels including Important, Taiga, and New Albion. The latter includes “In the Great Abbey of Clement VI at Avignon”—a "cult classic"—and “Underground Overlays from the Cistern Chapel” consisting of music sources for a 1995 Merce Cunningham Dance Company commission. Grants are several, including being a Fulbright Scholar to Australia (1973), receiving an NEA composer award (1978), and a Guggenheim Fellowship (1981). Dempster’s landmark book The Modern Trombone: A Definition of Its Idioms was published in 1979 (reprint edition 1994). Commendations include Golden Ear Awards: Deep Listening (2006) and Earshot Jazz (2009); International Trombone Association Lifetime Achievement Award (2010). As a founding member of Deep Listening Band, he produced the first three recordings as well as three more recent recordings, including “Great Howl at Town Haul” CD and two LP projects from the January 2011 DLB residency at Town Hall Seattle, with major support by UW School of Music and DXARTS. DLB celebrated its 25th anniversary year on 5 October 2013 with “Dunrobin Sonic Gems” a spectacular concert near Ottawa in the amazing Dunrobin Sonic Gym (think five foot gongs!). DLB celebrated further with release of the concert CD “Dunrobin Sonic Gems” on Deep Listening, October 2014. In early 2015 he received two commissions, the first from dancer Holley Farmer and University of Washington Dance Program, and the second from artist Ann Hamilton and Henry Art Gallery.