A degree recital by Cee E. Adamson, DMA Vocal Performance, a student of Carrie Shaw. With Dominico Reyes, piano.
Program
I.
George Frideric Handel (1685 – 1759)
Some dire event… Scenes of horror
from Jephtha, HWV 70
Franz Joseph Haydn (1732 – 1809)
Arianna a Naxos, Hob. XXVIb:2
with String Quartet
Daren Weissfisch, conductor
~Interval~
II.
Samuel Coleridge-Taylor (1875 – 1912)
You Lay So Still In The Sunshine
Thou Hast Bewitched Me, Beloved
Thou Art Risen, My Beloved
from Songs of Sun and Shade (1911)
When I am Dead, My Dearest
Unmindful of the Roses
from Sorrow Songs, Op. 57
~Interval~
III.
TJ Rubin, composer
Laura Barati, librettist
Weightless Sea… Your Glass
from Thirst
with Karen Dunstan, soprano
~Interval~
V.
Edward Elgar (1857 – 1934)
Oh, soft was the song
Twilight
Like to the Damask Rose
Biographies
Dominico Reyes
Dominico Reyes is a passionate, self-taught pianist who enjoys collaborating with musicians to create the best possible musical experiences and performances together. He has served as collaborative pianist for Boise State University Choir’s, Critical Mass Vocal Artists, the Boise Gay Men’s and Boise Women’s Choruses, and countless school districts and churches throughout Idaho. Dominico excels at running a strong and well-managed rehearsal, sight-reading, voice coaching, and accompanying performances in all their variety. Dominico currently serves as a Professional Collaborative Artist for University of Washington, Tacoma Opera, Magnolia Chorale, Federal Way Choral, Aljoya Thornton Choir, Wallingford United Methodist Church, numerous K-12 choir programs and many other various choirs around the area. Outside of work he enjoys being on the beach, scuba diving, enjoying nature and most importantly, being surrounded by his friends and loved ones.
In the distinguished sphere of classical music, Cee E. Adamson (she/they/Mx.) stands as a beacon of versatility and excellence, seamlessly weaving together her roles as an opera singer, voice teacher, choral director, arts administrator, and student affairs practitioner with grace and passion.
As a mezzo-soprano, Cee occupies a fluid place as an operatic talent, capable of treading the beguiling and liminal space between the countertenor and mezzo-soprano, and her vocal versatility has been well showcased in roles as Oberon in Benjamin Britten's A Midsummer Night's Dream, Giulio Cesare in Handel's Giulio Cesare, The Sorceress in Purcell's Dido and Aeneas, and tragic and comic roles from Mercedes in Carmen to Florence Pike in Albert Herring. Cee was also requested to appear as a featured supernumerary in Glimmerglass Opera’s production of Philip Glass’s Orphée.
A relentless pursuit of artistic growth and expression has marked her journey as an opera singer. From her early days honing her craft in conservatories to gracing international stages, Cee has consistently captivated audiences with her powerful performances and nuanced interpretations. Moreover, she brings a profound authenticity to each character she embodies, leaving audiences spellbound in her wake.
As a choral educator, Mx. Adamson assumes the role of a visionary choral director whose leadership has transformed vocal ensembles into beacons of musical excellence. Cee is known for her meticulous attention to vocal technique and ensemble precision and her ability to cultivate a deep emotional connection within her choirs, resulting in authentic performances that resonate deeply with audiences and performers alike.
But Mx. Adamson's talents extend far beyond the realm of performance. As an arts administrator, she is a driving force behind the scenes, working tirelessly to cultivate the next generation of artists and administrators alike. Her roles in higher education and student affairs have provided her with a platform to inspire and mentor aspiring musicians, instilling within them a passion for the arts and a commitment to excellence that will resonate throughout their careers. Whether advocating for the importance of arts education, spearheading innovative programming, or fostering meaningful collaborations within the arts community, Cee is dedicated to ensuring that the transformative power of music continues to enrich lives for generations to come.
Throughout her journey, Cee has remained steadfast in her dedication to the power of music to uplift, inspire, and unite. Her contributions to the world of classical music, both as a performer and as a mentor, serve as a testament to her unwavering commitment to artistic excellence and her profound belief in the transformative potential of the arts.
Cee is completing the Doctor of Musical Arts in Vocal Performance at the University of Washington, where she studies with Dr. Carrie Shaw and is undertaking Choral Conducting as a secondary proficiency area with Geoffrey Boers and Giselle Wyers. Before the University of Washington, Cee studied at the Guildhall School of Music & Drama (UK), where she earned the Master of Music and the Master of Performance degrees and was designated a Guildhall Artist. Her other education includes coursework towards the MBA in Leadership & Legal Studies from Northern Kentucky University, the Advanced Artist Diploma and Master of Music from Shenandoah Conservatory at Shenandoah University, and undergraduate degrees in music, theatre arts, accounting, and management from Franklin Pierce University.