Gabriela Ortiz’s Estudios entre preludios is the focal point of this program also including works by Unsuk Chin, Claude Debussy, and others.
Masks are required in all indoor spaces on the UW campus. Patrons must show proof of vaccination or recent negative provider-administered COVID-19 PCR test for entry to live events at Meany Hall. Individuals unable to be fully vaccinated, including children under age five and people with a medical or religious exemption, must have proof of a negative provider-administered COVID-19 PCR test (taken within 72 hours of the performance). UW staff will check for proof of vaccination and negative COVID PCR tests at the doors as a condition of entry. Proof of negative test result must come from a test provider, a laboratory or a health care provider. Home or self-administered tests will not be accepted. Details of these policies and procedures are at: https://artsevents.washington.edu/covid-protocols
Pianist Cristina Valdés presents innovative concerts of standard and experimental repertoire, and is known to “play a mean piano.” A fierce advocate for new music, she has premiered countless works, including many written for her. She has performed across four continents and in venues such as Lincoln Center, Le Poisson Rouge, Miller Theatre, Jordan Hall, and the Kennedy Center. Ms. Valdés has appeared both as a soloist and chamber musician at festivals worldwide including New Music in Miami, the Foro Internacional de Música Nueva in Mexico City, Brisbane Arts Festival, the Festival of Contemporary Music in El Salvador, Havana Contemporary Music Festival, and the Singapore Arts Festival.
An avid chamber musician and collaborator, Ms. Valdés has toured extensively with the Bang On a Can “All Stars”, and has performed with the Seattle Chamber Players, the Mabou Mines Theater Company, the Parsons Dance Company, and Antares. Her performances on both the Seattle Symphony’s Chamber Series and [UNTITLED] concerts have garnered critical acclaim, including her “knockout” (Seattle Times) performance of Bartok’s Sonata for Two Pianos and Percussion, and her “arrestingly eloquent performance” of Dutilleux’s Trois Preludes (Bernard Jacobson/MusicWeb International).
Ms. Valdés has appeared as concerto soloist with the Seattle Symphony, Seattle Philharmonic, the Lake Union Civic Orchestra, Johns Hopkins Symphony Orchestra, the Binghamton Philharmonic, NOCCO, Philharmonia Northwest, the Eastman BroadBand, and the Stony Brook Symphony Orchestra, amongst others. In 2015 she performed the piano solo part of the Ives 4th Symphony with the Seattle Symphony under the direction of Ludovic Morlot, which was later released on CD to critical acclaim and made Gramophone’s list of Top 10 Ives Recordings. Other recent recordings include Orlando Garcia’s “From Darkness to Luminosity” with the Málaga Philharmonic on the Toccata Classics label, and the world premiere recording of Kotoka Suzuki’s “Shimmer, Tree | In Memoriam Jonathan Harvey”. She can also be heard on the Albany, Newport Classics, Urtext, and Ideologic Organ labels.
In recent seasons she gave performances of Beethoven’s Piano Concerto No. 3, Bartok’s Piano Concerto No. 3, the world-premiere performance of Carlos Sanchez-Guttierez’s “Short Stories” for piano and string orchestra with the Orquesta de Cámara de Bellas Artes in Mexico City, and the U.S. Premiere of “Under Construction” for solo piano and tape playback by Heiner Goebbels at Benaroya Hall. Last season she was the featured soloist with the Seattle Symphony on two of their “[untitled]” new music series concerts.
Ms. Valdés received a Bachelor of Music from the New England Conservatory of Music, and a Master of Music and Doctor of Musical Arts from SUNY Stony Brook. She currently lives in Seattle where she founded the SLAM Festival, a new music festival dedicated to the music of Latin-American composers, and performs regularly as a member of the Seattle Modern Orchestra. She is an Artist-in-Residence at the University of Washington, and is the Director of the UW Modern Music Ensemble.