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CANCELED: Faculty Concert: Tekla Cunningham with Sheila Weidendorf (Canceled)

Friday, January 12, 2024 - 7:30pm
This event has been canceled.
Tekla Cunningham (right) and Sheila Weidendorf (Photo: Erika Pierson).
Tekla Cunningham (right) and Sheila Weidendorf (Photo: Erika Pierson).

NOTE: This concert has been canceled.

Artist-in-Residence Tekla Cunningham, violin, and guest pianist Sheila Weidendorf present "Between Heaven and Earth: A Year with Brahms,” a performance of the Brahms violin sonatas. 


Sonata in G major for violin and piano, op. 78: Johannes Brahms (1833-1897)  
Vivace ma non troppo
Allegro molto moderato
Sonata in A major for violin and piano, op. 100 
Allegro amabile
Andante tranquillo – Vivace – Andante – Vivace de più – Andante – Vivace 
Allegretto grazioso (quasi Andante)


Sonata in D minor, op. 108

Un poco presto e con sentimento 
Presto agitato


Sheila Weidendorf

Sheila Weidendorf performs western classical chamber music and extemporaneous keyboard meditations, collaborating with a classical trio, Trio Rasa, and with an improvisational trio, Trio Improviso. She also has been immersed in a long-term and ongoing Brahms project with violinist Tekla Cunningham. Weidendorf holds a BA in Piano and Music History from the University of Minnesota School of Music and an MA in Feminist Theological Studies from United Theological Seminary of the Twin Cities, in Minneapolis, Minnesota. A resident of Freeland, Washington, she is the keyboardist for Trinity Lutheran Church on Whidbey Island. 

Tekla Cunningham

Tekla Cunningham, baroque violin, viola and viola d'amore, enjoys a varied and active musical life. At home in Seattle, she is concertmaster of Stephen Stubbs' Pacific MusicWorks, principal second violin with Seattle Baroque Orchestra & Soloists, and plays regularly as concertmaster and principal player with the American Bach Soloists in California. She directs the Whidbey Island Music Festival, a summer concert series presenting vibrant period-instrument performances of repertoire ranging from Monteverdi to Beethoven.

She has appeared as concertmaster/leader or soloist with the American Bach Soloists, Baroque Chamber Orchestra of Colorado, Seattle Baroque Orchestra, and Musica Angelica (Los Angeles). She has also played with Apollo’s Fire, Los Angeles Opera, Philharmonia Baroque Orchestra, and at the Carmel Bach Festival, San Luis Obispo Mozart Festival, Indianapolis Early Music Festival, Savannah Music Festival and the Bloomington Early Music Festival. She has worked with many leading directors including Rinaldo Alessandrini, Giovanni Antonini, Harry Bicket, Paul Goodwin, Martin Haselböck, Monica Huggett, Nic McGegan, Rachel Podger, Jordi Savall, Stephen Stubbs, Jeffrey Thomas, Elizabeth Wallfisch and Bruno Weil.

An avid chamber musician, Tekla enjoys exploring the string quartet repertoire of the 18th and early 19th century with the period-instrument Novello Quartet, whose abiding interest is the music of Haydn. She is also a member of La Monica, an ensemble dedicated to music of the 17th century, whose concerts have been reviewed as “sizzling”, and praised for their “irrepressible energy and pitch-perfect timing”. With Jillon Dupree, harpsichord, and Vicki Boeckman, recorders, she plays in Ensemble Electra, known for its inventive programs and energetic performances.

She can be heard on recordings with the American Bach Soloists, Apollo’s Fire, Philharmonia Baroque Orchestra, Tafelmusik, Seattle Baroque Orchestra, San Francisco Bach Choir, various movie soundtracks including Disney’s Casanova, La Monica’s recent release The Amorous Lyre, a recording of repertoire of Merula and his contemporaries and the Novello Quartet’s recording of Haydn’s Op. 50 string quartets. This summer she recorded Mozart’s Flute Quartets with Janet See, Laurie Wells and Tanya Tomkins.

Tekla received her musical training at Johns Hopkins University and Peabody Conservatory (where she studied History and German Literature in addition to violin), Hochschule für Musik und Darstellende Kunst, in Vienna, Austria, and at the San Francisco Conservatory of Music, where she completed a Master’s degree with Ian Swenson. She teaches Suzuki violin in both German and English and is on the early music faculty of Cornish College for the Arts.