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Co-editor, Daniels' Orchestral Music, 6th edition (slated for release in 2022). Rowman & Littlefield publishers. |
Publications, Books |
Music |
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Coppola, Will, J. Mike Kohfeld, Chris Mena, Solmaz Shakerifard, and Patricia Shehan Campbell, 2019. Culture-Specific cases of a cross-cultural musical act. In Improvisation in Music Education. New York: Routledge. |
Publications |
Music |
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Coppola, William J., David G. Hebert, and Patricia Shehan Campbell, 2021. World Music Pedagogy: Teaching World Music in Higher Education. New York: Routledge. |
Publications, Books |
Music |
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Craig Sheppard. "Claude Debussy: 24 Preludes." Romeo Records, 2013. |
Publications, Recordings |
Instrumental Performance, Keyboard, Music, Piano |
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Craig Sheppard. Franz Liszt: Les Années de Pèlerinage Books I and II. CD. Romeo Records, 2012. |
Publications, Recordings |
Instrumental Performance, Keyboard, Music, Piano |
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Cuong Vu, Vu-Tet, Cuong Vu, Ted Poor, Stomu Takeishi, Chris Speed, 2007 (re-released 2010, Table and Chairs Music) |
Publications, Recordings |
Music |
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Cuong Vu, with Ted Poor, Stomu Takeshi, and Luke Bergman; Leaps of Faith; CD; 2011 |
Publications, Recordings |
American, Drums, Jazz, Music |
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Cuong Vu, This, This, and That; Cuong Vu, Stomu Takeshi, John Hollenbeck; 2000 |
Publications, Recordings |
Improvisation, Jazz, Music, Performance Studies, Trumpet |
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Dahm, C. & Campbell, P. S. (2022). Star-songs and constellations (SSC): Pathways for delivering musical diversity and ensuring cultural inclusion. Voice of Washington Music Educators, 66(3), 21-23. |
Publications |
Music |
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Dahm, L. C. (2022). Exploring jeliya: Creative possibilities with a west African music tradition. The Orff Echo, 54(3), 38-43. |
Publications |
Music |
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Dahm, L. C. (in press; 2022). Contextualizing contemporary musicians: A case study of Oumou Sangaré. Journal of Popular Music Education. |
Publications |
Music |
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Dahm, L. C., Flesher, J., Cantarelli Vita, J. & Campbell, P. S. (in press; 2022). Families as small-community quarantine pods of sociomusical engagement. International Journal of Community Music. |
Publications |
Music |
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Demorest, S. M., & Morrison, S. J. (2016). Quantifying culture: The cultural distance hypothesis for melodic expectancy. In J. Y. Chiao, S. C. Li, R. Seligman, & R. Turner (Eds.), Oxford Handbook of Cultural Neuroscience (183-196). New York: Oxford University Press. |
Publications |
Music |
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Demorest, S. M., Morrison, S. J., Nguyen, V. Q., & Bodnar, E. N. (2016). The effect of contextual variables on cultural bias in music memory. Music Perception 33, 590-600. doi: 10.1525/MP.2016.33.5.590 |
Publications |
Culture, Music, Music Education, Psychology, Turkish, World Music |
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Direct Musical Influences from Charpentier’s Louise on Mahler’s Sixth and Ninth Symphonies. International Mahler Society, Vienna (2013) Vol. 66, pp. 1-22 |
Publications, Essays |
Music |
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Elliott Carter: Collected Essays and Lectures, 1937-1995; Jonathan Bernard, editor; Eastman Studies in Music; 1998 |
Publications, Books |
Music |
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Frederick Reece, “Baroque Forgeries and the Public Imagination,” in The Oxford Handbook of Public Music Theory, ed. J. Daniel Jenkins (New York: Oxford University Press, 2022). |
Publications, Essays |
Music |
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Frederick Reece, “Review of Emily H. Green, Dedicating Music, 1785–1850,” Journal of the American Musicological Society 74/1 (2021): 166–70. |
Publications, Essays |
Music |
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Frederick Reece, “Hugo Wolf’s Harmony as Weitzmannian Critique: The Augmented Triad and its Hexatonic Shadows,” Mosaic: Journal of Music Research 3 (2014). |
Publications, Essays |
Music |
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Frederick Reece, “Composing Authority in Six Forged ‘Haydn’ Sonatas,” Journal of Musicology 35/1 (2018): 104–43. |
Publications, Essays |
Music |
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Frederick Reece, Forgery in Musical Composition: Aesthetics, History, and the Canon (in press, OUP). |
Publications, Books |
Music |
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Gustave Charpentier's Louise and Mahler's 6th Symphony: Sonus (2013) Vol. 33, No. 2, pp. 31-43 |
Publications, Essays |
Music |
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Henry Fielding, Plays, Volume III, 1734-37 (Oxford: Oxford University Press, Clarendon Press, 2013), Thomas Lockwood, editor, JoAnn Taricani, musical editor. |
Publications, Books |
Music |
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Henry Fielding: Plays, 1730-37, edited by Thomas Lockwood; music edited by JoAnn Taricani (three volumes; Oxford University Press: Clarendon Press, 2004-2013) |
Publications, Books |
Music |
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Huck Hodge: Alêtheia performed by l'Ensemble Aleph (Paris) | Insomnio Ensemble (Amsterdam) |
Publications, Film/Video, Recordings |
Music |
