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Passages: Mina Brechemin Person |
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UW Music in the Common Tent: Life lessons from Tent City 3 |
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Second Inversion: Greek Myths and Microtonal Instruments: Harry Partch’s Oedipus |
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The Stranger: Harry Partch's Oedipus Receives a Rare Performance at UW |
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Bonnie Whiting presents vintage works of John Cage in UW solo debut |
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Seattle Times: Meet the encephalophone: An instrument you can play with your mind, just by thinking |
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Three turns with pianist Stephen Drury upcoming |
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Registration open for 2017 Smithsonian World Music Pedagogy Workshop |
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Conference: Art and Science of the Performing Voice set for April 21-22 |
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Piano Times Three: Recitals by keyboard faculty on the horizon |
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Gramophone: Soprano Cyndia Sieden "every bit rodentine" in performance of new work by Sunlief Rassmussen |
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Marc Seales a 2017 WWU Distinguished Alumnus |
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Winter 2017 Student and Alumni Notes |
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Winter 2017 Faculty Notes |
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American Musicological Society book award for Christina Sunardi |
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Faculty Profile: Juan Pampin |
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A Musical Thank You from Scholarship Recipients |
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Recent Recordings by UW Music artists |
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Strings Magazine: Violist Melia Watras on the Joys of Recording With Friends |
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Coming to Town Hall: The John Cage Musicircus in all its weird glory |
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Fall 2016 Student and Alumni Notes |
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Passages: Patricia "Patti" Marsh: School of Music Volunteer Advisory Board |
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Video Playlist: Recent work by UW Music faculty |
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Symposium pays tribute to German composer Max Reger |
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New appointments at the School of Music for 2016-17 |
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